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3440 titres trouvés

KAPTAIN A TROUVE

3440 titres


61 - NEURAL HANDSHAKE | 2'13

  • Futuristic synths pads are mixed until a driving bass kicks in with tense string ostinatos and percussion accents, until darkness takes over with a hybrid orchestral climax.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

NEURAL HANDSHAKE (no choir) | 2'23

  • Futuristic synths pads are mixed until a driving bass kicks in with tense string ostinatos and percussion accents, until darkness takes over with a hybrid orchestral climax.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

62 - DYING OF THE LIGHT | 2'24

  • Massive intro stabs of low end lead to an exciting beat. Strings layer in with brass squalls and percussion, driving relentlessly towards giant, futuristic, blasts of washy synth stabs.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

DYING OF THE LIGHT (no choir) | 2'24

  • Massive intro stabs of low end lead to an exciting beat. Strings layer in with brass squalls and percussion, driving relentlessly towards giant, futuristic, blasts of washy synth stabs.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

63 - VIRTUAL REALITY | 2'22

  • Synth driving forward with drums, deep bass and modern electronics until huge, dark, squealing blasts storm in, showing that the future isn't all it's cracked up to be.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

VIRTUAL REALITY (no vocals) | 2'22

  • Synth driving forward with drums, deep bass and modern electronics until huge, dark, squealing blasts storm in, showing that the future isn't all it's cracked up to be.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

64 - AUGMENTED FUTURE | 2'14

  • A dark intro is lightened only by an emotional piano motif before drums and synths slice in with a pummeling rhythm and alarm blasts. A massive hybrid orchestral back end.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

AUGMENTED FUTURE (no choir) | 2'14

  • A dark intro is lightened only by an emotional piano motif before drums and synths slice in with a pummeling rhythm and alarm blasts. A massive hybrid orchestral back end.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

65 - HARDENED ELITE | 1'30

  • Deep synth bombs layer with brutal drums, opening up to a deadly rhythmic swagger, building with glitchy textures and squealing tones to a bombastic, earth shattering climax.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

66 - MENTAL MINEFIELD | 2'23

  • Deep synth pads, setting a mysterious tone; a rapid synth motif kicks in, leading to a deadly hybrid orchestral back end with drum accents and intense FX and massive, ominous stabs.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

67 - AMBUSH IN TROY | 2'39

  • Dark pulses layer with piano strikes and FX; synth ostinatos race in with drums, driving with racing relentlessly towards a futuristic back end with hybrid orchestral blasts.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

68 - INITIATE DEFENSE SYSTEMS | 2'12

  • Ominous keyboard and pings layer with bass blasts and heavy synth while drums pound mercilessly with the advancing battle. Racing strings driving towards a bombastic back end.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

INITIATE DEFENSE SYSTEMS (no choir) | 2'12

  • Ominous keyboard and pings layer with bass blasts and heavy synth while drums pound mercilessly with the advancing battle. Racing strings driving towards a bombastic back end.

Compositeur(s) :

  • Gerald Leitch - Jack Trammell

69 - ASPERSION | 2'18

  • Mysterious synths and bells with low pads and brass blasts layer with insistent string ostinatos, building with relentless time and drums as the brass drives the drama to a dark build.

Compositeur(s) :

  • Stuart Roslyn

70 - THE UNMASKED | 3'09

  • Serious piano theme builds with guitars and driving bass pulse, stopping down for a tense cello moment with drum accents, layering with rhythmic high synth textures.

Compositeur(s) :

  • Harry Lightfoot

71 - ELUCIDATE | 2'11

  • A synth bass pulse sets a tense pace while strings bring a serious determination to the fore; powerful drum accents layer in as the orchestra builds to a brassy back end build.

Compositeur(s) :

  • Stuart Roslyn

72 - CORPORAL PUNISHMENT | 2'23

  • Minimal cello slides lead to very tense, driving Hitchcock-ian strings, building with string tremolos, staccato accents and stick percussion snaps to a sophisticated yet dark climax.

Compositeur(s) :

  • Michael Rubino

73 - DUMA STATE | 3'11

  • A dark pad layers under a piano motif, setting a contemplative intro; strings layer in as the drama unfolds, swelling up with lush full orchestra and a bold brass theme to a huge climax.

Compositeur(s) :

  • Samuel Karl Bohn

74 - A DEEPER LOOK | 2'07

  • Mysterious piano and low bass accents set a dark tone while synth pulses swell beneath; racing strings layer in with percussion and brass, driving towards a emotional orchestral back end.

Compositeur(s) :

  • Michael Rubino

75 - A COMPANY OF MEN | 2'09

  • A minimal piano intro with tense string swells and high pings sweeps with a lush orchestra and driving synth ostinatos, building with percussion to an emotional and sophisticated climax.

Compositeur(s) :

  • Daniel Lozinski

76 - CLOSE STRANGERS | 2'43

  • Mysterious synth pads and a deep bass blast layer under tense string plucks; driving violins and a lighter piano ostinato; evolving with snares and brass, swelling up to a huge back end.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

77 - ARCANUM | 2'46

  • Minimal pings set a mysterious tone as guitars and an anticipatory pulse layer with strings, swelling with a lush orchestra; brass blasts with drums, sliding tones and a dramatic choir.

Compositeur(s) :

  • Harry Lightfoot

ARCANUM (no choir) | 2'46

  • Minimal pings set a mysterious tone as guitars and an anticipatory pulse layer with strings, swelling with a lush orchestra; brass blasts with drums and sliding tones.

Compositeur(s) :

  • Harry Lightfoot

78 - UMBRA | 1'54

  • Dangerous synth bass blasts and percussion beat out a marching rhythm, while serious strings layer in. The anticipation comes to an epic climax in this orchestral, stabbing back end.

Compositeur(s) :

  • Danail Getz

79 - NAMELESS IS MY PRICE | 2'36

  • Dark pads swirl under high pings and guttural growls; racing strings set an anticipatory pace, slamming in with huge hits and choir blasts. Bold brass and hybrid.

Compositeur(s) :

  • Cody Douglas Still

80 - POGROM | 1'29

  • Tense atmospheres rise with heavy percussion hits leading to an ominous pinging piano motif, crunching with a massive power down to a rhythmic and deadly percussive back end.

Compositeur(s) :

  • Kyle Booth