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//RESULTAT

2628 titres trouvés

KAPTAIN A TROUVE

2628 titres


101 - QUEEN OF THE FAE | 2'05

  • A delicate drone with a emotional piano motif sets a dramatic, sophisticated tone, as lush strings layer in, swelling with emotion and driving with subtle percussion to a magical back end.

Compositeur(s) :

  • Michael Emmerson

102 - THE SILENT DREAMERS | 1'45

  • Light piano chords play a sparse, but mysterious theme; ticking percussion, acoustic guitar and a sliding synth bass line lead to a lush orchestral swell.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

103 - FUGUE | 2'27

  • Creepy organ and synth pads build a mysterious haunted house-like motif until a seemingly innocent piano breaks the tension, leading to a swelling orchestral build that lures its victim right back to

Compositeur(s) :

  • Paul Dinletir

104 - A FRACTION OF THE WHOLE | 1'54

  • Minimal piano and string swells create a tensely emotional and mysterious atmosphere with subtle pulsing synths and an unexpected melody.

Compositeur(s) :

  • James Venable

105 - GODDESS OF WILD THINGS | 1'24

  • Twinkling piano dances lightly over a mysterious pad, swells up with a steady bass pulse and lush strings; as the montage of investigation continues, the crime shall be revealed.

Compositeur(s) :

  • Harry Lightfoot

106 - HOMESICK | 1'37

  • Sparse, mysterious, echoing piano with droning pads and FX ascend with tense, but emotional anticipation increased by pulsing synth swells.

Compositeur(s) :

  • Paul Dinletir

107 - THE SALT FLATS | 1'13

  • A distant alarm sounds over a dissonant swirl of synth pads, dark booming bass and pounding percussion, setting a slow but menacing march towards a thrilling climax.

Compositeur(s) :

  • Stuart Roslyn

108 - MONOPHOBIA | 1'39

  • Tense droning pads and a mysterious piano theme swirl over airy FX textures; a subtle, otherworldly female abstract vocal pattern sends rhythmic alien communications across the galaxy.

Compositeur(s) :

  • Sergiu-Dan Muresan

MONOPHOBIA (no vocals) | 1'39

  • Tense droning pads and a mysterious piano theme swirl over airy FX textures; a subtle abstract percussion and static pattern sends rhythmic alien communications across the galaxy.

Compositeur(s) :

  • Sergiu-Dan Muresan

109 - FEMME FATALE | 1'09

  • Rhythmic metal Zippo lighter strikes tick and click over a mysterious piano and dark pulsing pads; a menacing, dissonant choir layers in with dark cello, swelling to a deadly climax.

Compositeur(s) :

  • Martyn Corbet

FEMME FATALE (no choir) | 1'14

  • Rhythmic metal Zippo lighter strikes tick and click over a mysterious piano and dark pulsing pads; menacing, dissonant strings layer in with dark cello, swelling to a deadly climax.

Compositeur(s) :

  • Martyn Corbet

110 - SPIRALING INTO INSANITY | 1'29

  • A tense cello drone layers with introspective piano and subtle scratching textures, dissonant string layers and out of tune elements, swelling to cohesion, intensity and power.

Compositeur(s) :

  • Michael Rubino

111 - GLOBAL THREAT | 1'28

  • Tense panning pings layer over a steady pad, swelling with dark bass blasts and a driving pulse; heroic percussion crushes in with driving string arpeggios for a dangerous outro.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

112 - COLLECTING SCARS | 1'29

  • Tense pan drums chime, rhythmically ticking time over a low drone, mysterious textures slide and swell while the investigation proceeds in the darkness of night.

Compositeur(s) :

  • Paul Dinletir

113 - BRIDE OF THE RUDE | 3'23

  • Unique female vocals mix with alien bells and mysterious synth pads and swirling strings for a darkly atmosphere; Insistent strings build drama with futuristic synth and brass swells.

Compositeur(s) :

  • James Venable

BRIDE OF THE RUDE (no vocals) | 3'23

  • Unique alien bells and mysterious synth pads layer with swirling strings for a darkly atmosphere; Insistent strings build drama with futuristic synth and bold brass swells.

Compositeur(s) :

  • James Venable

114 - ALONE ON THE TUNDRA | 1'33

  • Tense, low pads and ethnic jaw harp build relentlessly with tribal taikos, racing violin and huge, swelling textures.

Compositeur(s) :

  • Michael Rubino

115 - VOICE IN THE DARK | 1'34

  • Raw, haunting vocals float over dissonant strings and tense sliding drones; dark bass pads keep the suspense while heavy, pounding taikos drive the intense back end.

Compositeur(s) :

  • Stuart Roslyn

VOICE IN THE DARK (no vocals) | 1'33

  • Dissonant strings and tense sliding drones create an anxious ambience; dark bass pads keep the suspense while heavy, pounding taikos drive the intense back end.

Compositeur(s) :

  • Stuart Roslyn

116 - WAR ON CELLO | 1'24

  • A slow burning cello tremolo builds with dark, menacing booms and layers of scratching textures, swelling gradually to a chaotic and intense outro.

Compositeur(s) :

  • Stuart Roslyn

117 - PIERCE THIS | 2'32

  • High piano pings alternate with deep gongs for a dangerous atmosphere; an ominous bass pulse pushes forward with dissonant tremolo strings as the tension build to a chaotic frenzy.

Compositeur(s) :

  • Paul Dinletir

118 - FROM ONE WORLD TO ANOTHER | 1'25

  • Ominous, low droning pad with dissonant high tones mix with a mysterious piano ostinato, swelling with serious strings for a lush, emotional build.

Compositeur(s) :

  • Kevin Rix

119 - AS PRETTY AS A PICTURE | 1'24

  • Warm, inquisitive piano and light strings swell together; a lush orchestra paints an emotional, bucolic sweep for a contemplative period drama in the countryside.

Compositeur(s) :

  • Richard Canavan

120 - SEIZE THE MOMENT | 1'49

  • Light drama piano chords play minimally over an emotional pad; select percussion accents help increase the inspiration as the orchestra swells.

Compositeur(s) :

  • Stuart Roslyn