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2628 titres trouvés

KAPTAIN A TROUVE

2628 titres


61 - WE CAN'T DO THIS WITHOUT YOU | 4'14

  • Minimal piano intro plays an anticipatory motif as a ticking percussion layers in; strings swell as a synth pulse; guitars and percussion rise to a heroic full orchestral back end with choir.

Compositeur(s) :

  • Harry Lightfoot

WE CAN'T DO THIS WITHOUT YOU (no choir) | 4'14

  • Minimal piano intro plays an anticipatory motif as a ticking percussion layers in; strings swell as a synth pulse; guitars and percussion rise to a heroic full orchestral back end.

Compositeur(s) :

  • Harry Lightfoot

62 - HIGHER, FURTHER, FASTER | 2'58

  • Warm piano plays over minimal pads; as brass swells over strings, the bold, heroic nature of the cue comes forward, racing with synth arpeggios, full orchestra and choir to a massive back end.

Compositeur(s) :

  • Cody Douglas Still

HIGHER, FURTHER, FASTER (no choir) | 2'58

  • Warm piano plays over minimal pads; as brass swells over strings, the bold, heroic nature of the cue comes forward, racing with synth arpeggios and full orchestra to a massive back end.

Compositeur(s) :

  • Cody Douglas Still

63 - FULL FORCE OF A STAR | 3'17

  • Breathy vocalizations and strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with orchestra and choir.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

FULL FORCE OF A STAR (no choir) | 3'17

  • Breathy vocalizations and strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with epic orchestra.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

FULL FORCE OF A STAR (no choir, no vocals) | 3'17

  • Lush strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with epic orchestra.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

64 - NOTHING TO PROVE TO YOU | 3'17

  • Mysterious piano intro; building with layers of dark brass blasts and racing string arpeggios, swelling to a sweeping, tense but slow anti-heroic lush orchestral back end with choir.

Compositeur(s) :

  • Mark John Petrie

NOTHING TO PROVE TO YOU (no choir) | 3'17

  • Mysterious piano intro; building with layers of dark brass blasts and racing string arpeggios, swelling to a sweeping, tense but slow anti-heroic lush orchestral back end.

Compositeur(s) :

  • Mark John Petrie

65 - ENDING WARS | 2'55

  • Minimal strings climb the scale while synths and sound design create an alien atmosphere; brass blasts with stomping drum clusters and a darkly heroic choir. The city is in danger.

Compositeur(s) :

  • Cody Douglas Still

ENDING WARS (no choir) | 2'55

  • Minimal strings climb the scale while synths and sound design create an alien atmosphere; brass blasts with stomping drum clusters. The city is in danger.

Compositeur(s) :

  • Cody Douglas Still

66 - RUSTED | 2'38

  • Mysterious retro synth swirl over drifting drones and brass swells, slowly building in dangerous anticipation with signature brass blasts, choir, sliding tones and a massive orchestral build.

Compositeur(s) :

  • Hannu Honkonen - Sergiu-Dan Muresan

RUSTED (no choir) | 2'38

  • Mysterious retro synth swirl over drifting drones and brass swells, slowly building in dangerous anticipation with signature brass blasts, sliding tones and a massive orchestral build.

Compositeur(s) :

  • Hannu Honkonen - Sergiu-Dan Muresan

67 - I AM THE SHIELD | 2'54

  • Tense strings layer with a mysterious piano, distant pings and synth arpeggios for a sci-fi intro; builds rhythmically with percs and strings to a dramatic orchestral climax with choir.

Compositeur(s) :

  • Sergiu Dan Muresan

I AM THE SHIELD (no choir) | 2'54

  • Tense strings layer with a mysterious piano, distant pings and synth arpeggios for a sci-fi intro; builds rhythmically with percs and strings to a dramatic orchestral climax.

Compositeur(s) :

  • Sergiu Dan Muresan

68 - THE STORY ISN'T OVER | 3'25

  • Dark piano notes weave mysteriously with synth arpeggios, layering guitar with lush strings, electric guitar and drum kit. Bold brass, vocals carry a sweeping, powerful orchestral build.

Compositeur(s) :

  • Harry Lightfoot

THE STORY ISN'T OVER (no vocals) | 3'25

  • Dark piano notes weave mysteriously with synth arpeggios, layering guitar with lush strings, electric guitar and drum kit. Bold brass carry a sweeping, powerful orchestral build.

Compositeur(s) :

  • Harry Lightfoot

69 - IN DENIAL | 2'52

  • Melancholy piano chords play over synth and key tones, layering with distorted vocals and swelling synths. The synths swell up with pounding drums, brass and a full orchestra and majestic choir.

Compositeur(s) :

  • Stuart Roslyn

IN DENIAL (no choir) | 2'52

  • Melancholy piano chords play over synth and key tones, layering with distorted vocals and swelling synths. The synths swell up with pounding drums, brass and a full orchestra.

Compositeur(s) :

  • Stuart Roslyn

IN DENIAL (no choir, no vocals) | 2'52

  • Melancholy piano chords play over synth and key tones, layering with swelling synths. The synths swell up with pounding drums, brass and a full orchestra.

Compositeur(s) :

  • Stuart Roslyn

70 - WOVEN RINGS | 3'05

  • A dreamlike synth intro with ticking pulses, piano motif and sparkling keyboard arpeggios swirl over a slowly beating percussive rhythm. Orchestral elements swell up to a majestic back end.

Compositeur(s) :

  • Sergiu Dan Muresan

71 - ARTEMIS | 3'07

  • Ethereal synth swelling drones layer with a plucked harp and piano theme, building in wondrous warmth with lush string swells and twinkling chiming guitar tones.

Compositeur(s) :

  • Peter Mauder

72 - THE DIVINE IN ALL OF US | 2'38

  • Warm piano motif with acoustic guitar and sweet wordless vocals drive forward with lilting strings; inspirational with male solo building with big drums and orchestra to a celebratory back end.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

THE DIVINE IN ALL OF US (no vocals) | 2'38

  • Warm piano motif with acoustic guitar drive forward with sweet, lilting strings; inspirational and tender, building with big drums and sweeping orchestra to a celebratory back end.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

73 - BY THE TIME YOU READ THIS, I WILL BE GONE | 2'33

  • Distorted electric guitar and piano layer with sophisticated violins; as drums propel the gradually building cue, a bassline and post rock-inspired guitar emerges in a cathartic back end.

Compositeur(s) :

  • Kevin Rix

74 - LOUD MINDS | 3'10

  • An introspective piano plays a slightly melancholy middle, until the string arpeggios come in to lift our spirits, energetically driving the back end to a more triumphant orchestral climax.

Compositeur(s) :

  • Sergiu Dan Muresan

LOUD MINDS (no vocals) | 3'10

  • An introspective piano plays a slightly melancholy middle, until the string arpeggios come in to lift our spirits, energetically driving the back end to a more triumphant orchestral climax.

Compositeur(s) :

  • Sergiu Dan Muresan

75 - OUR PLACE IN HISTORY | 2'24

  • A dreamy droning synth intro builds with light emotional wonder and brass swells, inspirational theme slowly unfolds, bursting open with orchestral waves, angelic choir and drums.

Compositeur(s) :

  • Martyn Corbet

OUR PLACE IN HISTORY (no choir) | 2'24

  • A dreamy droning synth intro builds with light emotional wonder and brass swells, inspirational theme slowly unfolds, bursting open with orchestral waves and drums.

Compositeur(s) :

  • Martyn Corbet

76 - A HEALING TOUCH | 2'52

  • Otherworldly synths bend over a percussive pad, lifting with a vocal melody to set an encouraging tone. Sweeping synths, choir and drums, driving forward to a bright climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

A HEALING TOUCH (no choir) | 2'52

  • Otherworldly synths bend over a percussive pad, lifting with a vocal melody to set an encouraging tone. Sweeping synths and drums, driving forward to a bright climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

A HEALING TOUCH (no choir, no vocals) | 2'52

  • Otherworldly synths bend over a percussive pad to set an encouraging tone. Sweeping synths and drums, driving forward to a bright climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

77 - VICTORY AT SUNSET | 2'32

  • Reversed, childlike piano creates a warm intro, but beneath it, darkness, as subtle dissonance breaks peace. Low synth bass loops, climbing to an inspirational place.

Compositeur(s) :

  • Steffan Michael Koch

78 - THE VIEW FROM UP HERE | 2'27

  • Mysterious synth drones and a knocking rhythmic element layer with a dreamlike bass and drifting synth textural swells to create a hypnotic mood build with reversed piano pings.

Compositeur(s) :

  • Kevin Rix

THE VIEW FROM UP HERE (no fx) | 2'26

  • Mysterious synth drones and a knocking rhythmic element layer with a dreamlike bass and drifting synth textural swells to create a hypnotic mood build with reversed piano pings.

Compositeur(s) :

  • Kevin Rix

79 - REGENERATION | 2'16

  • Ambient piano reverses loop with textures, dissonant tones and FX to create a tense intro; mysterious elements layer behind percussion accents intensifies to create a tragic build.

Compositeur(s) :

  • Sergiu Dan Muresan

REGENERATION (no vocals) | 2'16

  • Ambient piano reverses loop with textures, dissonant tones and FX to create a tense intro; mysterious elements layer behind percussion accents intensifies to create a tragic build.

Compositeur(s) :

  • Sergiu Dan Muresan

80 - CHARM THE SNAKE | 3'01

  • Evil, shrill synth swells layer with metallic textures. Mysterious dulcimer chimes alternate with chilling low end pulses and FX textures, building with a reversed rhythmic, tick-like pulse.

Compositeur(s) :

  • Steffan Michael Koch