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//RESULTAT

2628 titres trouvés

KAPTAIN A TROUVE

2628 titres


301 - ENGINE FAILURE | 1'46

  • Ticking perc sticks rattle a dangerous swagger beat, as layers of perc count the seconds of time passing; swells of dangerous synths create tension as the urgency builds in intensity.

Compositeur(s) :

  • Sergiu-Dan Muresan

302 - VICTIMS' PILE | 1'19

  • Scratching, shaking cellos and tense strings lead to a deadly low synth bass pulsing drone, swelling up with chaotic dissonance and discomfort to a very tense back end.

Compositeur(s) :

  • Michael Rubino

303 - DISTRESS SIGNAL | 1'07

  • High, shrill alarm pings signal emergency while deep taiko clusters rumble with deadly low end synth blasts.

Compositeur(s) :

  • Martyn Corbet

304 - RIGHT BEHIND YOU | 1'55

  • Dark, dangerous, cavernous drones and evil cello tremolos layer with dissonant synth textures; builds with slow, but relentless and accelerating rhythmic blasts.

Compositeur(s) :

  • Steffan Michael Koch

305 - MIND FLAYER | 1'33

  • Tense strings play a minimal, dissonant note over an ominous drone; ticking synth alarms ring out over a pair of brass blasts as the orchestra prepares for a deadly countdown.

Compositeur(s) :

  • Stuart Roslyn

306 - MOJAVE | 2'11

  • Dark low drone with airy textures; swells of tribal percussion and heavy taikos layer with low pulsing bass and dangerous synth squalls, building in tension to a massive, pounding climax.

Compositeur(s) :

  • Martyn Corbet

307 - FROM THE DARK GOD | 1'28

  • Airy swells layer with evil brass blasts and sliding synth tones as menacing military percussion layers in and the armies gather for the attack.

Compositeur(s) :

  • Harry Lightfoot

308 - STRING 'EM UP | 1'21

  • Wind cries across an apocalyptic hinterland, dusty and isolated - only the relentless swell of a dark drone, shrill layers, string tremolos and accelerating percussion for cold comfort.

Compositeur(s) :

  • Michael Rubino

309 - WYVERN | 1'54

  • Dark, low hits set an ominous tone while evil synth textures create a menacing rhythm, pulsing steadily, building with layers of brutal metallic slams.

Compositeur(s) :

  • Danail Getz

310 - BEHIND THE HILLS | 1'50

  • Ticking percs sticks rattle a dangerous swagger beat, as layers of percussion count the seconds of time passing; swells of low end synths create tension as the urgency builds in intensity.

Compositeur(s) :

  • Steffan Michael Koch

311 - GAME OVER | 1'29

  • Dissonant clanging alarms hit three times as a signal to the others; layers of dark, textured bass pads pulse in with heavy percussion accents, building to a massive, deadly crescendo.

Compositeur(s) :

  • Steffan Michael Koch

312 - THE OPPRESSORS OF THE WORLD | 1'32

  • Dark synth tones layer over ticking pings; layers of distorted Reznor-esque digital notes come in, slamming in with heavy percussion accents and thick textures of sublime melodic noise.

Compositeur(s) :

  • Daniel Lozinski

313 - GORAGOA | 1'46

  • Unsettling, dissonant drones with tuneless gongs and creepy FX layer over subtly driving percussion and a suspenseful and mysterious distorted synth melody.

Compositeur(s) :

  • Sergiu-Dan Muresan

314 - PIT OF DESPAIR | 2'33

  • Retro-futuristic synths drone across the deserted post-apocalypse cityscape while creepy string tremolos create anxiety as the synths, building to a tense, epic climax.

Compositeur(s) :

  • Kevin Rix

315 - HAUNTED WAREHOUSE | 2'29

  • Futuristic high synth blasts feel icy and alien over deep booms.

Compositeur(s) :

  • Steffan Michael Koch

316 - FUTURE FLIGHT | 1'22

  • Driving, pulsing synths and exciting strings mix with bold, sliding brass and keyboard arpeggios for a modern, futuristic sci-fi adventure.

Compositeur(s) :

  • Martyn Corbet

FUTURE FLIGHT (no choir) | 1'26

  • Driving, pulsing synths and exciting strings mix with bold, sliding brass and keyboard arpeggios for a modern, futuristic sci-fi adventure.

Compositeur(s) :

  • Martyn Corbet

317 - NIHILISM | 1'36

  • High, futuristic pulses swell and swirl while a deep synth pad drives relentlessly over rhythmic, computer-like beeping tones.

Compositeur(s) :

  • Daniel Lozinski

318 - HUBBLE | 2'36

  • Retro piano and synth motif feels uneasy, yet emotional; a pulsing beat builds with other keyboard tones, bringing the drama, but with a subtle sense of futuristic progress.

Compositeur(s) :

  • James Venable

319 - DEGRADATION | 1'57

  • Heavy synth blasts layer with retro-futuristic synth pulses, creating a tense atmosphere with swirling, panning FX and airy swells, building with dark determination to a massive climax.

Compositeur(s) :

  • Kevin Rix

320 - IN EXILE | 2'32

  • Massive brass blasts signal a foghorn-like warning; piano beat rhythmically with a steady chime, counting down the moments until the inevitable arrives; dissonant brass and racing strings.

Compositeur(s) :

  • Harry Lightfoot