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//Prototype: Natural Selection

20 titres//#Audiomachine //La nuit est sombre et pleine de terreurs... #thriller #suspense

LA PLAYLIST

// Prototype: Natural Selection


1 - DIASPORA | 2'57

  • Minimal pinging motif over distant droning pads create a dismal, brooding intro; a dark pulse layers in with hard slams as the tonal synth theme builds with pounding drums and lush strings.

Compositeur(s) :

  • Steffan Michael Koch

2 - WILDERNESS HOWL | 3'02

  • Buzzing blasts slide down massive stabs and dark, insistent, racing strings over a deadly bass drone; pounding drums and anti-heroic brass menacing ;orchestra swells for a towering back end climax

Compositeur(s) :

  • Kevin Rix

WILDERNESS HOWL (no choir) | 3'02

  • Huge, buzzing blasts slide down massive stabs and dark racing strings over a deadly bass drone; pounding drums and menacing anti-heroic brass mount the anticipation; towering orchestral climax

Compositeur(s) :

  • Kevin Rix

3 - SHE DEVIL | 2'16

  • Industrial synth bass pulse, swirling together with raw string stabs; driving with a steady rhythm towards a massive, gothic, towering climax with epic brass and strings

Compositeur(s) :

  • Sergiu-Dan Muresan

4 - NOTHING TO SEE | 2'34

  • Bleak pads, creepy, scratching FX and a distorted motif builds slowly, vicious hits, haunting female vocalizations with hypnotizing percussion, triplet drums and retro high synths

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

NOTHING TO SEE (no vocals) | 2'34

  • Bleak pads, creepy, scratching FX and a distorted motif builds slowly, vicious hits, hypnotizing percussion, triplet drums and retro high synths

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

5 - MALIGNANT INCURSION | 1'57

  • Icy synth textures create a dark, minimal intro; swelling slowly with an airy rise to alien skitters and brutal drum slams; as the rhythm kicks in the massive squalls create a violent back end climax

Compositeur(s) :

  • Kevin Rix

6 - RADIOACTIVE DISINTEGRATION | 2'26

  • Dark, low synth drones swirl together with massive bass blasts as a haunting synth tone leads to an epic and intense climax.

Compositeur(s) :

  • Greg Townley

7 - WIDDERSHINS | 2'20

  • Bleak, raw cello drags over a dark, low pulse, layering with icy pings and a grim, dissonant melodic signature; an unnerving back end builds with pounding drums, hypnotic melodies and panning drones

Compositeur(s) :

  • Sergiu-Dan Muresan

WIDDERSHINS (no strings) | 2'20

  • A dark, low pulse, layering with icy pings and a grim, dissonant melodic signature; an unnerving, driving back end build with pounding drums and panning drones

Compositeur(s) :

  • Sergiu-Dan Muresan

8 - A SOLUTION FOR OVERPOPULATION | 2'24

  • Deep gongs ring out with creepy mystical FX; a buzzing tone pulses over ominous booms & a tense percussive beat, building intense anticipation with increasingly violent, distorted high pitched blasts

Compositeur(s) :

  • Steffan Michael Koch

9 - THE SCAVENGERS | 2'39

  • Psychedelic synth tones & FX; scattered string elements disorient until the urgency sets in with a driving orchestra; Hitchcock-ian and dystopian back end dramatic tension races to a massive climax

Compositeur(s) :

  • Kevin Rix

THE SCAVENGERS (sparse mix) | 2'32

  • Bending synth tones create a psychedelic intro with grimy textures; deadly, horrific FX ring throughout this disorienting back end with pounding drums, and a metallic tick.

Compositeur(s) :

  • Kevin Rix

10 - COGITOR | 2'35

  • Sub bass pulse swells with a distorted, retro synth pinging tonal motif; ominous, stomping melodic theme with pounding drums accenting the notes, building to a powerful back end

Compositeur(s) :

  • Steffan Michael Koch

11 - NECROMANCER | 1'16

  • Dark, abrasive synth textures layer with high synth swells, and repeating piano strikes; pounding drums lead an enraged stomping march to a brutal climax

Compositeur(s) :

  • Kevin Rix

NECROMANCER (orchestral mix) | 3'27

  • Brooding intro of piano chords, distorted high textures and gritty guitar; intense strings; brutal squalls stab as piano strikes layer in, drums pound over brass and massive choir to an epic climax

Compositeur(s) :

  • Kevin Rix

NECROMANCER (orchestral mix, no choir) | 3'27

  • Brooding intro of piano chords, distorted high textures and gritty guitar; intense strings; brutal squalls stab as piano strikes layer in, drums pound over brass to an epic climax

Compositeur(s) :

  • Kevin Rix

NECROMANCER (alt) | 2'16

  • Dark, abrasive synth textures layer with a repeated piano note and gritty guitar layers; heavy guitar textures and deep bass create a hypnotic rhythm with pounding drums slamming to a huge climax

Compositeur(s) :

  • Kevin Rix

12 - VERBOTEN | 2'22

  • Mysterious, panning drones swirl over a haunting female vocal pulse while tense tremolo cello, hypnotic rhythm; hospital beeps, pounding drums and string clusters beat a death march.

Compositeur(s) :

  • Sergiu-Dan Muresan

VERBOTEN (no vocals) | 2'22

  • Mysterious, panning drones swirl, tense tremolo cello, hypnotic rhythm; hospital beeps, pounding drums and string clusters beat a death march.

Compositeur(s) :

  • Sergiu-Dan Muresan

VERBOTEN (no vocals, no strings) | 2'22

  • Mysterious, panning drones swirl, tense tremolo cello, hypnotic rhythm; hospital beeps, pounding drums.

Compositeur(s) :

  • Sergiu-Dan Muresan

13 - ACROSS THE SEVENTH BRIDGE | 2'59

  • Dark droning pads anchored by distant perc swell with buzzing tones; retro futuristic synth arpeggios drive a slow burning, polyrhythmic build with epic, pounding drums,lush & tense strings.

Compositeur(s) :

  • Greg Townley

14 - THE ENEMY OF MY ENEMY | 2'46

  • Eerie, otherworldly pads layer with modular synth squalls; sparse drum hits; creepy synths layer in with heavy guitars, building with brooding intensity and epic scope

Compositeur(s) :

  • Kevin Rix

THE ENEMY OF MY ENEMY (sparse mix) | 2'44

  • Eerie, otherworldly pads layer with modular synth squalls; sparse drum hits; creepy synths layer in with heavy guitars, building with brooding intensity and epic scope

Compositeur(s) :

  • Kevin Rix

15 - THEY ARE WATCHING | 2'12

  • Mysterious retro futuristic synth tones intro; metallic stabs, high-pitched swarming insect buzz and pounding drums break the calm, building an intense, ominous back end

Compositeur(s) :

  • Sergiu-Dan Muresan

16 - HOSTILITY PARADOX | 2'54

  • Haunting synth pads swirl over a low drone; a driving pulse layers with distorted pings until blaring alarms signal the brutal attack has begun, with buzzing, distorted tones and pounding drums.

Compositeur(s) :

  • Steffan Michael Koch

17 - LYCAN PENS | 2'23

  • Desolate pings and a skittering high tone layer with futuristic slams and a melancholy motif; pulsing synths mix with percussive hits and FX, building rhythmically to an urgent, bombastic outro

Compositeur(s) :

  • Sergiu-Dan Muresan

18 - IMPACT SPATTER | 2'55

  • Tense, minimal drones and synth swells create an alien atmosphere; massive squalls and high guitar textures layer with slamming percussion and distorted tones, creating a rhythmic, pounding build

Compositeur(s) :

  • Kevin Rix

19 - MASS CASUALTIES | 2'22

  • Brutal drum hits in clusters of 5 over gritty guitar, ominous synth bass; urgent strings & serious brass drive an anti-heroic theme, as the pounding percussion swells to an epic, stabbing climax

Compositeur(s) :

  • Kevin Rix

MASS CASUALTIES (alt) | 2'22

  • Brutal drum hits in clusters of 5 over gritty guitar, ominous synth bass; urgent strings & serious brass drive an anti-heroic theme, as the pounding percussion swells to an epic, stabbing climax

Compositeur(s) :

  • Kevin Rix

20 - KISHI | 2'22

  • Pulsing drone scape with distant pinging tones; massive, brutal slams with vicious high pitched synth squalls drive with pounding drums to a huge climax

Compositeur(s) :

  • Steffan Michael Koch