//Percussive Mayhem
32 titres//Un album 100% rythmique et épique! #audiomachine #action #drums #bombastic
LA PLAYLIST
// Percussive Mayhem
1 - MAKE SOME NOISE | 1'45
- Upbeat handclaps signal the call from the wild streets of Brazil; massive drum ensembles dance and riot in the streets joyously with a low percussive breakdown building back up to a frenzied climax
Compositeur(s) :
- Paul Dinletir - Gonzalo H Perez
MAKE SOME NOISE (no vocals) | 1'45
- Upbeat handclaps start the party on the wild streets of Brazil; massive drum ensembles dance and riot in the streets joyously with a low percussive breakdown building back up to a frenzied climax
Compositeur(s) :
- Paul Dinletir - Gonzalo H Perez
2 - LET'S ROCK | 1'15
- Cool, swampy stomp with claps and rising FX, metallics, snaps, and layers of bass create a quirky yet tense rhythm, building with excitement and a frenzied tempo to a huge, chaotic outro
Compositeur(s) :
- Paul Dinletir - Nicholas Steinbach
3 - NEXT MAN UP | 1'31
- Fun stomp clap swinging big band beat builds with a high energy rhythm, layering stick percussion and record scratches, vocal samples and with a massive rise to a huge outro
Compositeur(s) :
- Paul Dinletir - Jeffrey Emerson Gaiser - Hyunsoo Nam
NEXT MAN UP (no vocals, no scratching) | 1'31
- Fun stomp clap swinging big band beat builds with a high energy rhythm, layering sticks and FX with a massive rise to a huge outro
Compositeur(s) :
- Paul Dinletir - Jeffrey Emerson Gaiser - Hyunsoo Nam
4 - TRAP ENCOUNTER | 1'34
- Dissonant synth bass strikes set a downtempo rhythm as laid back drum loops layer in, building up with a huge stutter rise to a steady beat build
Compositeur(s) :
- Paul Dinletir - Gonzalo H Perez
5 - ODDITY | 1'41
- Mysterious pings and urgent ticks layer with distant synth squalls and frightened human breaths, as piano strikes layer with huge trailer slams and driving drums over a deep bass pad.
Compositeur(s) :
- Stuart Roslyn
ODDITY (drums) | 1'41
- Urgent ticks layer with steadily driving drum accents, as battle-ready taikos and snares drive relentlessly towards a dark, urgent back end climax
Compositeur(s) :
- Stuart Roslyn
ODDITY (sound design) | 1'41
- Mysterious pings and urgent ticks layer with distant synth squalls and frightened human breaths, as piano strikes layer with huge trailer blasts over a deep bass pad.
Compositeur(s) :
- Stuart Roslyn
6 - DARK DUB DEALINGS | 1'55
- Downtempo, grimy bass beat with a scratchy, ticking clock sets a wobbly vibe; layers of FX textures and stomping percussion build with huge, airy rises and distant snares to an intense ending
Compositeur(s) :
- Paul Dinletir - Gonzalo H Perez
7 - MOROCCAN ESCAPE | 1'29
- Massive shouts layer with crazy sitar beats over insistent drums, an intense pulse, a huge rise, building to a frenzied warlike climax
Compositeur(s) :
- Steffan Michael Koch
8 - MEXICAN SYNCOPATION | 1'22
- Layers of ticking sticks and pounding trailer triplets, a primal howl swells with a massive rise, stopping down to build up again with layers of wooden percussion, tribal drums and synth squalls.
Compositeur(s) :
- Paul Dinletir - Gonzalo H Perez - Nicholas Steinbach
MEXICAN SYNCOPATION (no synth) | 1'22
- Layers of ticking sticks and pounding trailer triplets, a primal howl swells with a massive rise, stopping down to build up again with layers of wooden percussion, tribal drums and synth squalls.
Compositeur(s) :
- Paul Dinletir - Gonzalo H Perez - Nicholas Steinbach
9 - BACK IN TOWN | 1'19
- Upbeat stomp drums with claps & rim sticks layer with hollow sounding hits and massive, bending guitar squalls; the back end action intensifies with a driving rhythm, squealing alarms and a huge rise
Compositeur(s) :
- Paul Dinletir - Roman Gabriel Soto
10 - LIT UP | 1'46
- Synth bass rhythm; clicks, synth squalls, pings and a whirring rise weave in as the cue evolves with layers of mid-tempo drive, building to a tense back end with slamming trailer drums
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
LIT UP (drums) | 1'46
- Synth bass rhythm sets a quirky, yet compelling rhythm; clicks, snaps, and pings weave in as the cue evolves with layers of mid-tempo drive, building to a tense back end with slamming trailer drums
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
LIT UP (sound design) | 1'46
- Synth bass rhythm; synth squalls, pings and a whirring rise weave in as the cue evolves with layers of mid-tempo drive, building to a tense yet minimalistic back end
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
11 - GOT YOUR BACK | 1'20
- Danger is my middle name. Swagger-laden stomps and claps layer with vicious synth blasts and pounding drums as everything builds together for a tense, urgent and exciting back end build
Compositeur(s) :
- Darius Moldovan - Sergiu-Dan Muresan
12 - DRUM MAJOR | 1'29
- A bawdy stomp clap pattern with marching band snare flair, builds with big percussive energy and huge rises to a massive climax
Compositeur(s) :
- Paul Dinletir - Andres Gutierrez Moreno
13 - POTSHOT | 1'41
- Dangerous, sexy swagger beat with bass swells, gun cocks and layers of claps, snaps, driving synths, metallics and an intense, stabbing back end build
Compositeur(s) :
- Cody Still
14 - TIP TOP | 1'32
- Percussive rhythm leads the high energy step dance, uptempo claps, triangle accents and funky synth drums; a driving pulse leads the back end with relentless focus to a huge, rising, stabbing climax
Compositeur(s) :
- Martyn Corbet
TIP TOP (drums) | 1'32
- A unique percussive rhythm leads the high energy step dance, with uptempo claps, triangle accents and funky synth drums; the back end drives with relentless focus to a huge, rising, stabbing climax
Compositeur(s) :
- Martyn Corbet
15 - ONE-TWO PUNCH | 1'29
- Stadium stomping meets drum kit funk. Breakdowns with airy swishes, lots of cymbal rides, whips and tambourines swell with a steady, driving beat to a massive rising climax
Compositeur(s) :
- Paul Dinletir - Daniel Nicholas Tauber
16 - HOSTAGE SITUATION | 1'43
- A compelling rhythm with massive tribal clusters, panning vocalese samples, metallics, fast driving drums and a swelling synth bass pad, breaking down only to whip into a massively frenzied back end
Compositeur(s) :
- Steffan Michael Koch
17 - SOUNDBOY | 1'42
- Wagwan, bruv? A wild grime beat with high synth alarms over deep sub bass drops and garage kicks; builds with a huge rise do a stuttering back end build
Compositeur(s) :
- Paul Dinletir - Gonzalo H Perez
18 - ARCADE ATTACK | 1'13
- Rapidfire club beat, video game frenzy with speedy synth pulse, retro 808s, driving kit and electronic drums, building with a massive rise to a breathless, explosive outro
Compositeur(s) :
- Paul Dinletir - Daniel Nicholas Tauber
19 - WAREHOUSE RENDEZVOUS | 1'34
- Noir bass drops and snaps lead to a funky, syncopated drum kit rhythm, building with cymbals, huge booms and layers of percussion accents, swelling with a huge rise to outro
Compositeur(s) :
- Paul Dinletir - Roman Gabriel Soto
20 - OPERATION VOODOO | 2'04
- Massive & pounding double hit clusters. A gritty alarm blares while a driving bass pulse gets our warriors ready for battle. Huge drums layer with snares, massive rises and synth blasts.
Compositeur(s) :
- Christopher Elmslie - Stuart Roslyn
OPERATION VOODOO (drums) | 2'04
- Massive, pounding double hit clusters while metallic perc and big slams get our warriors primed for battle. Huge trailer drums layer with snares for an energized but dangerous back end
Compositeur(s) :
- Christopher Elmslie - Stuart Roslyn
