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//Focus // Harry Lightfoot

29 titres//Une sélection des meilleurs titres de l'emblématique compositeur d'Audiomachine.

LA PLAYLIST

// Focus // Harry Lightfoot


1 - ONCE WAS ALL THERE WAS | 2'44

  • A dark bass and raw cello drone creates a tense intro which builds the high drama with driving cello, important strings, regal brass and serious choir, building to a massively back end climax.

Compositeur(s) :

  • Harry Lightfoot

ONCE WAS ALL THERE WAS (no choir) | 2'44

  • A dark bass and raw cello drone creates a tense intro which builds the high drama with driving cello, important strings and regal brass building to a massively back end climax.

Compositeur(s) :

  • Harry Lightfoot

2 - LOVED AGAINST REASON | 2'33

  • A piano twinkles a mysterious intro, with string arpeggios and pulsing bass, sweeps up with brass swells leading to a dramatic violin, sweeps up to a dramatic build with brass and big drums.

Compositeur(s) :

  • Harry Lightfoot

3 - KNEEL BEFORE THE CROWN | 2'33

  • Elizabethan baroque period drama with harpsichord stabs, builds with full orchestral stabs, wailing high violin solo; stops down for piano arpeggios but swells with brass and string ostinatos.

Compositeur(s) :

  • Harry Lightfoot

KNEEL BEFORE THE CROWN (no choir) | 2'33

  • Elizabethan baroque period drama with harpsichord stabs, builds with full orchestral stabs, wailing high violin solo; stops down for piano arpeggios but swells with brass and string ostinatos.

Compositeur(s) :

  • Harry Lightfoot

4 - WE CAN'T DO THIS WITHOUT YOU | 4'14

  • Minimal piano intro plays an anticipatory motif as a ticking percussion layers in; strings swell as a synth pulse; guitars and percussion rise to a heroic full orchestral back end with choir.

Compositeur(s) :

  • Harry Lightfoot

WE CAN'T DO THIS WITHOUT YOU (no choir) | 4'14

  • Minimal piano intro plays an anticipatory motif as a ticking percussion layers in; strings swell as a synth pulse; guitars and percussion rise to a heroic full orchestral back end.

Compositeur(s) :

  • Harry Lightfoot

5 - THE UNMASKED | 3'09

  • Serious piano theme builds with guitars and driving bass pulse, stopping down for a tense cello moment with drum accents, layering with rhythmic high synth textures.

Compositeur(s) :

  • Harry Lightfoot

6 - IT'S A WONDERFUL LIFE | 1'49

  • The sun comes up on a peaceful suburban town and a happy family. Light piano motif and lovely strings layer with chiming acoustic guitar and bells for a feel-good, positive theme.

Compositeur(s) :

  • Harry Lightfoot

IT'S A WONDERFUL LIFE (no choir) | 1'49

  • The sun comes up on a peaceful suburban town and a happy family. Light piano motif and lovely strings layer with chiming acoustic guitar and bells for a feel-good, positive theme.

Compositeur(s) :

  • Harry Lightfoot

7 - BIG BUSINESS | 2'42

  • Stomping swagger, bluesy guitar, driving bass line, and singalong style - making we're all clapping hands and expecting some fun and excitement.

Compositeur(s) :

  • Harry Lightfoot

BIG BUSINESS (no vocals) | 2'42

  • Stomping swagger, bluesy guitar and driving bass line - making we're all clapping hands and expecting some fun and excitement.

Compositeur(s) :

  • Harry Lightfoot

8 - SMOKING BARRELS | 1'25

  • Massive drums kick this bad ass intro off, with driving, gritty guitar line, which builds to a massive, epic swagger back end with full orchestra.

Compositeur(s) :

  • Harry Lightfoot

9 - RISKING EVERYTHING | 1'43

  • The stakes are high with dramatic strings, sophisticated brass, textural guitar, and a pulsing bass building with tension as this cue builds.

Compositeur(s) :

  • Harry Lightfoot

10 - CITIES ON FIRE | 2'58

  • Menacing intro, percussive bed; intimidating sirens, tribal percs, swelling orchestra, choral bends all creating images of destruction, death & evil.

Compositeur(s) :

  • Harry Lightfoot

CITIES ON FIRE (no choir) | 2'58

  • Menacing intro, percussive bed; intimidating sirens, tribal percs, swelling orchestra bends all creating images of destruction, death, evil. No choir.

Compositeur(s) :

  • Harry Lightfoot

11 - LIGHT AND DARK | 2'39

  • Cyclic strings, pulsing underground bass, hopeful hero's mission; electro synth, angelic, emotive choir, encouraging, powerful percs, urgent back end.

Compositeur(s) :

  • Harry Lightfoot

LIGHT AND DARK (no choir) | 2'39

  • Cyclic strings, pulsing underground bass, hopeful hero's mission; electro synth, angelic, encouraging, powerful percs, urgent back end. No choir.

Compositeur(s) :

  • Harry Lightfoot

12 - SUPERNOVA | 3'28

  • Light pulses, urgent cyclic strings, emotional brass, stoic choir, the stakes are high, the potential losses devastating, ultimate heroic sacrifice.

Compositeur(s) :

  • Harry Lightfoot

SUPERNOVA (no choir) | 3'28

  • Light pulses, urgent cyclic strings, emotional brass, the stakes are high, the potential losses devastating, ultimate heroic sacrifice. No choir.

Compositeur(s) :

  • Harry Lightfoot

13 - ILLUSIONS | 2'08

  • Dark, mysterious, futuristic pulsing synth, drum hits, bass pulse, mechanical sound design, sirens; climax, cyclic strings, brass stabs.

Compositeur(s) :

  • Harry Lightfoot

14 - AT THE END OF THE HALLWAY | 2'30

  • Deep, echoing footsteps and glitchy textures skitter over low rumbles and an ominous cello drone; creepy, scraping strings scratch and buzz, building with tension and anticipation, with layer upon

Compositeur(s) :

  • Harry Lightfoot

15 - MY WAY OUT | 2'43

  • Emotional piano chords, peaceful pads, pulsing synths & steady percs, building up, emotional & important orchestral climax, heroic brass, bold choir.

Compositeur(s) :

  • Harry Lightfoot

MY WAY OUT (no choir) | 2'43

  • Emotional piano chords, peaceful pads, pulsing synths & steady percs, building up, emotional & important orchestral climax, heroic brass, No choir.

Compositeur(s) :

  • Harry Lightfoot

16 - I WILL FIND YOU | 3'09

  • Serious piano, somber, contemplative tone; tender strings, emotional theme shows optimism in the sadness; percs accents signal uplifting hope.

Compositeur(s) :

  • Harry Lightfoot

I WILL FIND YOU (no percussion) | 3'12

  • Serious piano, somber, contemplative tone; tender strings, emotional theme shows optimism in the sadness; uplifting orchestra accents. No percs.

Compositeur(s) :

  • Harry Lightfoot

17 - MOST ARDENTLY | 2'37

  • Elegant piano, neo-classical strings, lightly dramatic, wink to old money; orchestra, choir, percs; a waltz-like motif, building up to a grand climax.

Compositeur(s) :

  • Harry Lightfoot

MOST ARDENTLY (no choir) | 2'37

  • Elegant piano, neo-classical strings, lightly dramatic, wink to old money; orchestra, percs; a waltz-like motif, building to a grand climax. No choir.

Compositeur(s) :

  • Harry Lightfoot

MOST ARDENTLY (no percussion) | 2'38

  • Elegant piano, neo-classical strings, lightly dramatic, wink to old money; orchestra, choir; a waltz-like motif, building to a grand climax. No percs.

Compositeur(s) :

  • Harry Lightfoot

MOST ARDENTLY (no choir, no percussion) | 2'38

  • Elegant piano, neo-classical strings, lightly dramatic, wink to old money; orchestra; a waltz-like motif, building to a grand climax. No percs/choir.

Compositeur(s) :

  • Harry Lightfoot

18 - FADED SNAPSHOTS AND FORGOTTEN DREAMS | 2'52

  • Plaintive piano intro, elegant & emotional strings; a lighter middle section, romantic & sweeping orchestral build; period drama perfection.

Compositeur(s) :

  • Harry Lightfoot

FADED SNAPSHOTS AND FORGOTTEN DREAMS (no percussion) | 2'52

  • Plaintive piano, elegant & emotional strings; a lighter middle section, romantic & sweeping orchestral build; period drama perfection. No percussion.

Compositeur(s) :

  • Harry Lightfoot

19 - THE GALLOWS | 2'06

  • Mischievous strings, darkly compelling cello interweave steadily, emotional piano, relentless, building, sweeping orchestra, emotional, drama, climax.

Compositeur(s) :

  • Harry Lightfoot

THE GALLOWS (no percussion) | 2'05

  • Mischievous strings, darkly compelling cello interweave steadily, emotional piano, building, sweeping orchestra, emotional, drama, climax. No percs.

Compositeur(s) :

  • Harry Lightfoot

20 - BUSINESS AS USUAL | 1'43

  • Insistent snare intro drives a marching band-style rhythm, funky building, military fun, high step, smart comedy.

Compositeur(s) :

  • Harry Lightfoot