//Le Bazar de la Charite
14 titres//La playlist du documentaire événement
LA PLAYLIST
// Le Bazar de la Charite
1 - THE BIG SMOKE | 2'42
- Mysterious piano, sweet tone until driving strings and ominous cello lead into a full, urgently sweeping, swirling and dramatic orchestral back end.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
THE BIG SMOKE (no percussion) | 2'43
- Mysterious piano, sweet tone until driving strings, ominous cello, a full, urgently sweeping, swirling & dramatic orchestral back end. No percussion.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
2 - NEVERTHELESS, SHE PERSISTED | 2'34
- Mysterious piano, bass & synth; driving strings & ticking percs build emotion/tension; elegant violins & brass to a dramatic orchestral climax.
Compositeur(s) :
- Samuel Karl Bohn
NEVERTHELESS, SHE PERSISTED (no percussion) | 2'36
- Mysterious piano, bass & synth; driving strings build emotion/tension; elegant violins & brass to a dramatic orchestral climax. No percussion.
Compositeur(s) :
- Samuel Karl Bohn
3 - A TRICK OF THE MIND | 2'25
- Lightly dramatic piano arpeggio, driving strings, dramatic, galloping middle, bold percs accents, bells, with an elegant and epic climax.
Compositeur(s) :
- Stuart Roslyn
A TRICK OF THE MIND (no percussion) | 2'26
- Lightly dramatic piano arpeggio, driving strings, dramatic, galloping middle, bells, with an elegant and epic climax. No percussion.
Compositeur(s) :
- Stuart Roslyn
4 - SACRIFICIAL ATONEMENT | 1'56
- Eerie, haunting piano & distant, airy textures, glitchy FX. Reverse tonal loop, pulsing heartbeat, shrill, ascending strings, brutal percussion stabs.
Compositeur(s) :
- Paul Dinletir
5 - RUSSIAN SPRING | 4'24
- Beautiful, tense string drone, cello solo intro; instruments layer in, building on the theme; piano ostinatos, passing time, from darkness to light.
Compositeur(s) :
- Peter Mauder
6 - THE SECOND HAND TICKS | 2'25
- Emotional piano, ticking percs, the passing of time, strings accent the dramatic tension; the orchestra swells in for a dramatic, tragic climax.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
THE SECOND HAND TICKS (no percussion) | 2'26
- Emotional piano, the passing of time, strings accent the dramatic tension; the orchestra swells in for a dramatic, tragic climax. No percussion.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
7 - SAD GOODBYE | 2'08
- Orchestral. Drama & histoire. Poignant & triste. Orchestre à cordes, trompettes, bois, harpe, percs classiques & choeur mixte.
Compositeur(s) :
- Thomas Parisch - Laurent Ziliani
SAD GOODBYE (strings only) | 2'08
- Orchestral. Drama & histoire. Poignant & triste. Orchestre à cordes & harpe.
Compositeur(s) :
- Thomas Parisch - Laurent Ziliani
SAD GOODBYE (30s) | 0'30
- Orchestral. Drama & histoire. Poignant & triste. Orchestre à cordes, trompettes, bois, harpe, percs classiques & choeur mixte.
Compositeur(s) :
- Thomas Parisch - Laurent Ziliani
8 - AN UNEXPECTED VISION | 1'50
- Orchestral cinématique et dramatique. Mystérieux & envoutant. Orchestre à cordes inquiétant avec une mélodie de piano en suspens.
Compositeur(s) :
- Cyrille Aufort
9 - STORY OF A DRAMA PART 1 | 2'29
- Orchestral dramatique et panoramique. Tragique & tourmenté. Orchestre à cordes émouvant.
Compositeur(s) :
- Jerome Lemonnier
10 - STRATAGEM | 2'00
- Minimal piano, mysterious intro; magical harp & plucked strings, waltzing piano; elegant strings & chimes, darker cellos, tense back end, bold percs.
Compositeur(s) :
- Simon Denver - Stuart Roslyn
STRATAGEM (no percussion) | 2'02
- Minimal piano, mysterious intro; magical harp & plucked strings, waltzing piano; elegant strings & chimes, darker cellos, tense back end, No percs.
Compositeur(s) :
- Simon Denver - Stuart Roslyn
11 - CRIMES OF EMBEZZLEMENT | 2'19
- A emotional piano motif layers with sophisticated basses and pulses for a somber intro which swells up with insistent strings; full orchestral back end with rock-based drums.
Compositeur(s) :
- Sergiu-Dan Muresan
12 - A REMARKABLE MAN | 2'00
- Calm, sweeping strings, peace; elegant, steady building of the motif accented with subtle percussion and piano; montage, period drama, gradual build.
Compositeur(s) :
- Richard Canavan
A REMARKABLE MAN (no percussion) | 2'00
- Calm, sweeping strings, peace; elegant, steady building of the motif accented with piano; montage, period drama, gradual build. No percussion.
Compositeur(s) :
- Richard Canavan
13 - TRAGIC STORY | 1'55
- Orchestral. Drama & cinéma. Poignant & inexorable. Orchestre & piano.
Compositeur(s) :
- Gilles Alonzo
TRAGIC STORY (alt vs) | 1'55
- Orchestral. Drama & cinéma. Poignant & inexorable. Orchestre à cordes.
Compositeur(s) :
- Gilles Alonzo
TRAGIC STORY (30s) | 0'30
- Orchestral. Drama & cinéma. Poignant & inexorable. Orchestre & piano.
Compositeur(s) :
- Gilles Alonzo
14 - SECRETS OF THE SANCTUARY | 2'41
- A mysterious synth, piano swirls, subtle strings craft a melancholy theme, swelling with emotion, gradually building to a dramatic, romantic climax.
Compositeur(s) :
- Kevin Rix
SECRETS OF THE SANCTUARY (no percussion) | 2'44
- A mysterious synth, piano swirls, subtle strings craft a melancholy theme, swelling with emotion, gradually building to a dramatic climax. No percs.
Compositeur(s) :
- Kevin Rix
