//Another Sky
18 titres//Le nouvel album d'Harry Lightfoot d'Audiomachine #drama #romance #orchestra
LA PLAYLIST
// Another Sky
1 - UNDER LOCK AND KEY | 2'14
- Quivering, tremolo strings create an anxious intro with quick stabs, driving with urgency, sophistication and tension, building with pounding taikos and ticking perc to a frantic climax.
Compositeur(s) :
- Harry Lightfoot
2 - THE CRIMSON DRAWING ROOM | 1'57
- Repeating piano notes and ticking mark time passing as tense, raw violins with disorienting bending accents build with dramatic intensity and driving urgency.
Compositeur(s) :
- Harry Lightfoot
3 - BROCKET HALL | 2'43
- Pulsing cello with tense staccato, raw strings march forward with high emotional stakes, building with long strings, important brass and piano to a dramatic back end.
Compositeur(s) :
- Harry Lightfoot
4 - PERSECUTION | 2'24
- Fast, urgent strings drive an immediate, dangerous tension, a sophisticated thriller cue led by cello, builds with huge, pounding drums and a massive orchestral climax.
Compositeur(s) :
- Harry Lightfoot
5 - UNTIL DEATH DO US PART | 3'03
- Angelic vocals drift over somber string swells and rhythmic piano notes swell to raw cello and pounding drums, propelling an urgent back half with fast string-driven back end.
Compositeur(s) :
- Harry Lightfoot
UNTIL DEATH DO US PART (no vocals) | 3'03
- Somber string swells and rhythmic piano notes swell to raw cello and pounding drums, propelling an urgent back half with fast string-driven back end.
Compositeur(s) :
- Harry Lightfoot
6 - THE STARS ALIGN | 3'21
- Plucked harp, bells and short strings leading to an emotional theme by a violin solo; a sophisticated piano break swells to a fantastical orchestral back half with brass and pounding drums.
Compositeur(s) :
- Harry Lightfoot
THE STARS ALIGN (no choir) | 3'21
- Plucked harp, bells and short strings leading to an emotional theme by a violin solo; a sophisticated piano break swells to a fantastical orchestral back half with brass and pounding drums.
Compositeur(s) :
- Harry Lightfoot
7 - TO DWELL ON DREAMS | 2'46
- Dramatic piano chords and ominous strings build with anticipatory, emotional tension with dark brass as a beautiful piano solo swells with the full orchestra to a sweepingly tragic back end.
Compositeur(s) :
- Harry Lightfoot
8 - VINDICATION | 2'34
- Serene organ ostinatos and minimal emotional piano motif. Lush strings give way to a slow brass theme, which swells to a tragic build with drum accents and short strings.
Compositeur(s) :
- Harry Lightfoot
9 - EVERGREEN | 1'39
- Lush, anticipatory strings lead to a lightly dramatic piano motif; as woodwinds, harp and more orchestra sweeps in, the cue builds to a very emotional violin solo, with drums, brass and choir.
Compositeur(s) :
- Harry Lightfoot
EVERGREEN (no choir) | 1'39
- Lush, anticipatory strings lead to a lightly dramatic piano motif; as woodwinds, harp and more orchestra sweeps in, the cue builds to a very emotional violin solo, with drums and brass.
Compositeur(s) :
- Harry Lightfoot
10 - HILL HOUSE | 2'14
- Fast-moving cello races over light strings and piano chords; angelic choir drifts with a swelling orchestra build; cinematic theme carries an orchestral climax with soaring choir and drums.
Compositeur(s) :
- Harry Lightfoot
HILL HOUSE (no choir) | 2'14
- Fast-moving cello races over light strings and piano chords with a swelling orchestra build; sophisticated, cinematic theme carries a lush, orchestral climax with pounding drums.
Compositeur(s) :
- Harry Lightfoot
11 - IN THE CONSERVATORY WITH THE REVOLVER | 2'13
- Dramatic strings and a piano motif layer with quirky harpsichord accents, sweeping up to a bold back end with full orchestra and pounding drums, layered with choir for a massive climax.
Compositeur(s) :
- Harry Lightfoot
IN THE CONSERVATORY WITH THE REVOLVER (no choir) | 2'13
- Dramatic strings and a piano motif layer with quirky harpsichord accents, sweeping up to a bold back end with full orchestra and pounding drums for a massive climax.
Compositeur(s) :
- Harry Lightfoot
12 - KNEEL BEFORE THE CROWN | 2'33
- Elizabethan baroque period drama with harpsichord stabs, builds with full orchestral stabs, wailing high violin solo; stops down for piano arpeggios but swells with brass and string ostinatos.
Compositeur(s) :
- Harry Lightfoot
KNEEL BEFORE THE CROWN (no choir) | 2'33
- Elizabethan baroque period drama with harpsichord stabs, builds with full orchestral stabs, wailing high violin solo; stops down for piano arpeggios but swells with brass and string ostinatos.
Compositeur(s) :
- Harry Lightfoot
13 - SCANDALOUS SECRETS | 2'00
- Tense cello drives urgently over a dark, menacing low synth drone and pounding drum accents; ticking percussion layers in with a full orchestra to build a dangerous climax.
Compositeur(s) :
- Harry Lightfoot
14 - ONCE WAS ALL THERE WAS | 2'44
- A dark bass and raw cello drone creates a tense intro which builds the high drama with driving cello, important strings, regal brass and serious choir, building to a massively back end climax.
Compositeur(s) :
- Harry Lightfoot
ONCE WAS ALL THERE WAS (no choir) | 2'44
- A dark bass and raw cello drone creates a tense intro which builds the high drama with driving cello, important strings and regal brass building to a massively back end climax.
Compositeur(s) :
- Harry Lightfoot
15 - LOVED AGAINST REASON | 2'33
- A piano twinkles a mysterious intro, with string arpeggios and pulsing bass, sweeps up with brass swells leading to a dramatic violin, sweeps up to a dramatic build with brass and big drums.
Compositeur(s) :
- Harry Lightfoot
16 - CHENONCEAU | 2'29
- Piano motif layers with warm strings, twinkling bells and acoustic guitar, for a tender intro; builds with anticipatory strings, swelling up to a celebratory back end with brass and percussion.
Compositeur(s) :
- Harry Lightfoot
17 - HIGHLANDER'S HYMN | 2'29
- Celtic fiddle over mournful string drones, strings swell with an emotional piano motif and heroic brass for an uplifting, emotional back end with subtle bagpipe and military snares.
Compositeur(s) :
- Harry Lightfoot
18 - THE LIGHT BETWEEN US | 2'44
- Warm piano ostinatos, waltz-like motif, emotional strings, slightly magical, period drama back end sweeps up with big drums and strings, uplifting brass climbs up to a massive outro with choir.
Compositeur(s) :
- Harry Lightfoot
THE LIGHT BETWEEN US (no choir) | 2'44
- Warm piano ostinatos, waltz-like motif, emotional strings, slightly magical, period drama back end sweeps up with big drums and strings, uplifting brass climbs up to a massive outro.
Compositeur(s) :
- Harry Lightfoot
