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//Another Sky

18 titres//Le nouvel album d'Harry Lightfoot d'Audiomachine #drama #romance #orchestra

LA PLAYLIST

// Another Sky


1 - THE CRIMSON DRAWING ROOM | 1'57

  • Repeating piano notes and ticking mark time passing as tense, raw violins with disorienting bending accents build with dramatic intensity and driving urgency.

Compositeur(s) :

  • Harry Lightfoot

2 - BROCKET HALL | 2'43

  • Pulsing cello with tense staccato, raw strings march forward with high emotional stakes, building with long strings, important brass and piano to a dramatic back end.

Compositeur(s) :

  • Harry Lightfoot

3 - PERSECUTION | 2'24

  • Fast, urgent strings drive an immediate, dangerous tension, a sophisticated thriller cue led by cello, builds with huge, pounding drums and a massive orchestral climax.

Compositeur(s) :

  • Harry Lightfoot

4 - UNTIL DEATH DO US PART | 3'03

  • Angelic vocals drift over somber string swells and rhythmic piano notes swell to raw cello and pounding drums, propelling an urgent back half with fast string-driven back end.

Compositeur(s) :

  • Harry Lightfoot

UNTIL DEATH DO US PART (no vocals) | 3'03

  • Somber string swells and rhythmic piano notes swell to raw cello and pounding drums, propelling an urgent back half with fast string-driven back end.

Compositeur(s) :

  • Harry Lightfoot

5 - THE STARS ALIGN | 3'21

  • Plucked harp, bells and short strings leading to an emotional theme by a violin solo; a sophisticated piano break swells to a fantastical orchestral back half with brass and pounding drums.

Compositeur(s) :

  • Harry Lightfoot

THE STARS ALIGN (no choir) | 3'21

  • Plucked harp, bells and short strings leading to an emotional theme by a violin solo; a sophisticated piano break swells to a fantastical orchestral back half with brass and pounding drums.

Compositeur(s) :

  • Harry Lightfoot

6 - EVERGREEN | 1'39

  • Lush, anticipatory strings lead to a lightly dramatic piano motif; as woodwinds, harp and more orchestra sweeps in, the cue builds to a very emotional violin solo, with drums, brass and choir.

Compositeur(s) :

  • Harry Lightfoot

EVERGREEN (no choir) | 1'39

  • Lush, anticipatory strings lead to a lightly dramatic piano motif; as woodwinds, harp and more orchestra sweeps in, the cue builds to a very emotional violin solo, with drums and brass.

Compositeur(s) :

  • Harry Lightfoot

7 - VINDICATION | 2'34

  • Serene organ ostinatos and minimal emotional piano motif. Lush strings give way to a slow brass theme, which swells to a tragic build with drum accents and short strings.

Compositeur(s) :

  • Harry Lightfoot

8 - IN THE CONSERVATORY WITH THE REVOLVER | 2'13

  • Dramatic strings and a piano motif layer with quirky harpsichord accents, sweeping up to a bold back end with full orchestra and pounding drums, layered with choir for a massive climax.

Compositeur(s) :

  • Harry Lightfoot

IN THE CONSERVATORY WITH THE REVOLVER (no choir) | 2'13

  • Dramatic strings and a piano motif layer with quirky harpsichord accents, sweeping up to a bold back end with full orchestra and pounding drums for a massive climax.

Compositeur(s) :

  • Harry Lightfoot

9 - KNEEL BEFORE THE CROWN | 2'33

  • Elizabethan baroque period drama with harpsichord stabs, builds with full orchestral stabs, wailing high violin solo; stops down for piano arpeggios but swells with brass and string ostinatos.

Compositeur(s) :

  • Harry Lightfoot

KNEEL BEFORE THE CROWN (no choir) | 2'33

  • Elizabethan baroque period drama with harpsichord stabs, builds with full orchestral stabs, wailing high violin solo; stops down for piano arpeggios but swells with brass and string ostinatos.

Compositeur(s) :

  • Harry Lightfoot

10 - CHENONCEAU | 2'29

  • Piano motif layers with warm strings, twinkling bells and acoustic guitar, for a tender intro; builds with anticipatory strings, swelling up to a celebratory back end with brass and percussion.

Compositeur(s) :

  • Harry Lightfoot

11 - LOVED AGAINST REASON | 2'33

  • A piano twinkles a mysterious intro, with string arpeggios and pulsing bass, sweeps up with brass swells leading to a dramatic violin, sweeps up to a dramatic build with brass and big drums.

Compositeur(s) :

  • Harry Lightfoot

12 - TO DWELL ON DREAMS | 2'46

  • Dramatic piano chords and ominous strings build with anticipatory, emotional tension with dark brass as a beautiful piano solo swells with the full orchestra to a sweepingly tragic back end.

Compositeur(s) :

  • Harry Lightfoot

13 - HILL HOUSE | 2'14

  • Fast-moving cello races over light strings and piano chords; angelic choir drifts with a swelling orchestra build; cinematic theme carries an orchestral climax with soaring choir and drums.

Compositeur(s) :

  • Harry Lightfoot

HILL HOUSE (no choir) | 2'14

  • Fast-moving cello races over light strings and piano chords with a swelling orchestra build; sophisticated, cinematic theme carries a lush, orchestral climax with pounding drums.

Compositeur(s) :

  • Harry Lightfoot

14 - SCANDALOUS SECRETS | 2'00

  • Tense cello drives urgently over a dark, menacing low synth drone and pounding drum accents; ticking percussion layers in with a full orchestra to build a dangerous climax.

Compositeur(s) :

  • Harry Lightfoot

15 - ONCE WAS ALL THERE WAS | 2'44

  • A dark bass and raw cello drone creates a tense intro which builds the high drama with driving cello, important strings, regal brass and serious choir, building to a massively back end climax.

Compositeur(s) :

  • Harry Lightfoot

ONCE WAS ALL THERE WAS (no choir) | 2'44

  • A dark bass and raw cello drone creates a tense intro which builds the high drama with driving cello, important strings and regal brass building to a massively back end climax.

Compositeur(s) :

  • Harry Lightfoot

16 - UNDER LOCK AND KEY | 2'14

  • Quivering, tremolo strings create an anxious intro with quick stabs, driving with urgency, sophistication and tension, building with pounding taikos and ticking perc to a frantic climax.

Compositeur(s) :

  • Harry Lightfoot

17 - HIGHLANDER'S HYMN | 2'29

  • Celtic fiddle over mournful string drones, strings swell with an emotional piano motif and heroic brass for an uplifting, emotional back end with subtle bagpipe and military snares.

Compositeur(s) :

  • Harry Lightfoot

18 - THE LIGHT BETWEEN US | 2'44

  • Warm piano ostinatos, waltz-like motif, emotional strings, slightly magical, period drama back end sweeps up with big drums and strings, uplifting brass climbs up to a massive outro with choir.

Compositeur(s) :

  • Harry Lightfoot

THE LIGHT BETWEEN US (no choir) | 2'44

  • Warm piano ostinatos, waltz-like motif, emotional strings, slightly magical, period drama back end sweeps up with big drums and strings, uplifting brass climbs up to a massive outro.

Compositeur(s) :

  • Harry Lightfoot