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//Burn Point

26 titres//#audiomachine #drama #action #continuum espace temps #mystère

LA PLAYLIST

// Burn Point


1 - ENDING WARS | 2'55

  • Minimal strings climb the scale while synths and sound design create an alien atmosphere; brass blasts with stomping drum clusters and a darkly heroic choir. The city is in danger.

Compositeur(s) :

  • Cody Douglas Still

ENDING WARS (no choir) | 2'55

  • Minimal strings climb the scale while synths and sound design create an alien atmosphere; brass blasts with stomping drum clusters. The city is in danger.

Compositeur(s) :

  • Cody Douglas Still

2 - HIGHER, FURTHER, FASTER | 2'58

  • Warm piano plays over minimal pads; as brass swells over strings, the bold, heroic nature of the cue comes forward, racing with synth arpeggios, full orchestra and choir to a massive back end.

Compositeur(s) :

  • Cody Douglas Still

HIGHER, FURTHER, FASTER (no choir) | 2'58

  • Warm piano plays over minimal pads; as brass swells over strings, the bold, heroic nature of the cue comes forward, racing with synth arpeggios and full orchestra to a massive back end.

Compositeur(s) :

  • Cody Douglas Still

3 - NO BETTER THAN THE BAD GUYS | 2'57

  • Mysterious piano reverses layer with a ticking clock; piano motif and string ostinatos layer with synth arpeggios; massive pounding drums, choir and orchestra ascending to an epic climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

NO BETTER THAN THE BAD GUYS (no choir) | 2'57

  • Mysterious piano reverses layer with a ticking clock; piano motif and string ostinatos layer with synth arpeggios; massive pounding drums and orchestra ascending to an epic climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

4 - LEARNING THE TRUTH | 2'57

  • Synth pads with chiming bells and low brass, swelling with strings and pulses, drum accents and serious brass; the back end turns to a heroic theme with full hybrid orchestra and bold choir.

Compositeur(s) :

  • Cody Douglas Still

LEARNING THE TRUTH (no choir) | 2'57

  • Synth pads with chiming bells and low brass, swelling with strings and pulses, drum accents and serious brass; the back end turns to a heroic theme with full hybrid orchestra.

Compositeur(s) :

  • Cody Douglas Still

5 - LOOK TO THE SKY | 3'07

  • Haunting female vocal over synth arpeggios, strings and soft booms; a piano break, the back end bursts open with pounding drums, a full orchestra, climbing brass, and a majestic choir.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

LOOK TO THE SKY (no choir) | 3'07

  • Haunting female vocal over synth arpeggios, strings and soft booms; a piano break, the back end bursts open with pounding drums, a full orchestra and climbing brass.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

LOOK TO THE SKY (no choir, no vocals) | 3'07

  • Synth arpeggios, strings and soft booms; a piano break, the back end bursts open with pounding drums, a full orchestra and climbing brass.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

6 - ONE WAY TRIP | 2'37

  • Rhythmic pings set a motivating beat while focused male hums and big, stomping, syncopated drums drive the anticipation and energy forward; swells up to a massive back end.

Compositeur(s) :

  • Stuart Roslyn

ONE WAY TRIP (no vocals) | 2'37

  • Rhythmic pings set a motivating beat while big, stomping, syncopated drums drive the anticipation and energy forward; swells up to a massive back end.

Compositeur(s) :

  • Stuart Roslyn

7 - I AM THE SHIELD | 2'54

  • Tense strings layer with a mysterious piano, distant pings and synth arpeggios for a sci-fi intro; builds rhythmically with percs and strings to a dramatic orchestral climax with choir.

Compositeur(s) :

  • Sergiu Dan Muresan

I AM THE SHIELD (no choir) | 2'54

  • Tense strings layer with a mysterious piano, distant pings and synth arpeggios for a sci-fi intro; builds rhythmically with percs and strings to a dramatic orchestral climax.

Compositeur(s) :

  • Sergiu Dan Muresan

8 - RUSTED | 2'38

  • Mysterious retro synth swirl over drifting drones and brass swells, slowly building in dangerous anticipation with signature brass blasts, choir, sliding tones and a massive orchestral build.

Compositeur(s) :

  • Hannu Honkonen - Sergiu-Dan Muresan

RUSTED (no choir) | 2'38

  • Mysterious retro synth swirl over drifting drones and brass swells, slowly building in dangerous anticipation with signature brass blasts, sliding tones and a massive orchestral build.

Compositeur(s) :

  • Hannu Honkonen - Sergiu-Dan Muresan

9 - NOTHING TO PROVE TO YOU | 3'17

  • Mysterious piano intro; building with layers of dark brass blasts and racing string arpeggios, swelling to a sweeping, tense but slow anti-heroic lush orchestral back end with choir.

Compositeur(s) :

  • Mark John Petrie

NOTHING TO PROVE TO YOU (no choir) | 3'17

  • Mysterious piano intro; building with layers of dark brass blasts and racing string arpeggios, swelling to a sweeping, tense but slow anti-heroic lush orchestral back end.

Compositeur(s) :

  • Mark John Petrie

10 - FULL FORCE OF A STAR | 3'17

  • Breathy vocalizations and strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with orchestra and choir.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

FULL FORCE OF A STAR (no choir) | 3'17

  • Breathy vocalizations and strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with epic orchestra.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

FULL FORCE OF A STAR (no choir, no vocals) | 3'17

  • Lush strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with epic orchestra.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

11 - IGNITION CELL | 2'34

  • Rhythmic piano and low synth bends set a restless intro, as strings layer with an ethereal vocal to drive a sense of wonder, with soaring brass over orchestra, choir and pounding drums.

Compositeur(s) :

  • Martyn Corbet

IGNITION CELL (no vocals) | 2'34

  • Rhythmic piano and low synth bends set a restless intro, as strings drive a sense of wonder, with soaring brass over orchestra, choir and pounding drums.

Compositeur(s) :

  • Martyn Corbet

12 - WE CAN'T DO THIS WITHOUT YOU | 4'14

  • Minimal piano intro plays an anticipatory motif as a ticking percussion layers in; strings swell as a synth pulse; guitars and percussion rise to a heroic full orchestral back end with choir.

Compositeur(s) :

  • Harry Lightfoot

WE CAN'T DO THIS WITHOUT YOU (no choir) | 4'14

  • Minimal piano intro plays an anticipatory motif as a ticking percussion layers in; strings swell as a synth pulse; guitars and percussion rise to a heroic full orchestral back end.

Compositeur(s) :

  • Harry Lightfoot

13 - HUMANITY DEFINED | 2'40

  • Warm piano intro with subtle synth pads swell up with strings and brass swells; as the orchestra bursts open with choir, celebratory percussion and a massive back end climax.

Compositeur(s) :

  • Daniel Austin Olson

HUMANITY DEFINED (no choir) | 2'40

  • Warm piano intro with subtle synth pads swell up with strings and brass swells; as the orchestra bursts open with celebratory percussion and a massive back end climax.

Compositeur(s) :

  • Daniel Austin Olson

14 - TEACH ME | 3'16

  • Introspective piano plays a gentle motif over a lush synth pad and distorted vocal swells; as tension evolves, strings and urgent drums push the serious brass, choir and full orchestral theme.

Compositeur(s) :

  • Thomas Adam Habuda

TEACH ME (no choir) | 3'16

  • Introspective piano plays a gentle motif over a lush synth pad and distorted vocal swells; as tension evolves, strings and urgent drums push the serious brass and full orchestral theme.

Compositeur(s) :

  • Thomas Adam Habuda

15 - ALWAYS ANGRY | 2'31

  • Minimal synth pads with soft piano chords build slowly with a steady synth pulse and subtle percussion until a long rise swells up and massive, distorted synth drops bend over metallic.

Compositeur(s) :

  • Greg Townley

16 - BREAK THE BARRIER | 2'58

  • Dark synths bend over an synth pad, driving strings and brass set a serious sci-fi tone; as the tempo builds, drum clusters pound a dangerous beat, signaling a huge orchestral and choir climax.

Compositeur(s) :

  • Hannu Honkonen

BREAK THE BARRIER (no choir) | 2'58

  • Dark synths bend over an synth pad, driving strings and brass set a serious sci-fi tone; as the tempo builds, drum clusters pound a dangerous beat, signaling a huge orchestral climax.

Compositeur(s) :

  • Hannu Honkonen

17 - SUBSERVIENT | 3'08

  • Tense intro with low booms and low brass bends; dark strings building with massive drum clusters, evil brass . Massive back end, a huge choir and ominous brass, big stabs and a piano button.

Compositeur(s) :

  • Ciaran Birch

SUBSERVIENT (no choir) | 3'08

  • Tense intro with low booms and low brass bends; dark strings building with massive drum clusters, evil brass . Massive back end with ominous brass, big stabs and a piano button.

Compositeur(s) :

  • Ciaran Birch

18 - STAND AND FIGHT | 2'46

  • Tense synth pads with low percussion; warm piano chords layer in until the strings and synth pulses drive the adventure forward. Massive choir and orchestra blasts the back end climax.

Compositeur(s) :

  • Martyn Corbet

STAND AND FIGHT (no choir) | 2'46

  • Tense synth pads with low percussion; warm piano chords layer in until the strings and synth pulses drive the adventure forward. Massive orchestra blasts the back end climax.

Compositeur(s) :

  • Martyn Corbet

19 - FOLDING TIME | 2'24

  • Low brass bends over a rhythmic piano and ominous synth pads; quick synth ostinatos over lush strings and drums - a race against the clock with a huge orchestral and choir climax.

Compositeur(s) :

  • Jack Trammell

FOLDING TIME (no choir) | 2'24

  • Low brass bends over a rhythmic piano and ominous synth pads; quick synth ostinatos over lush strings and drums - a race against the clock with a huge orchestral climax.

Compositeur(s) :

  • Jack Trammell

20 - THE POINT OF NO RETURN | 3'09

  • Minimal piano strikes set a dangerous intro as a low synth bass pulse creeps in; the cello and low brass swells come in, leading to a solo cello surrounded by drums and deadly low end stabs.

Compositeur(s) :

  • Steffan Michael Koch