//Burn Point
28 titres//#audiomachine #drama #action #continuum espace temps #mystère
LA PLAYLIST
// Burn Point
1 - ONE WAY TRIP | 2'37
- Rhythmic pings set a motivating beat while focused male hums and big, stomping, syncopated drums drive the anticipation and energy forward; swells up to a massive back end.
Compositeur(s) :
- Stuart Roslyn
ONE WAY TRIP (no vocals) | 2'37
- Rhythmic pings set a motivating beat while big, stomping, syncopated drums drive the anticipation and energy forward; swells up to a massive back end.
Compositeur(s) :
- Stuart Roslyn
2 - I AM THE SHIELD | 2'54
- Tense strings layer with a mysterious piano, distant pings and synth arpeggios for a sci-fi intro; builds rhythmically with percs and strings to a dramatic orchestral climax with choir.
Compositeur(s) :
- Sergiu Dan Muresan
I AM THE SHIELD (no choir) | 2'54
- Tense strings layer with a mysterious piano, distant pings and synth arpeggios for a sci-fi intro; builds rhythmically with percs and strings to a dramatic orchestral climax.
Compositeur(s) :
- Sergiu Dan Muresan
3 - A THING OF DREAD | 3'39
- Distorted synth tones mix with a menacing bass pulse, a slow burning digital dance that builds in tension and anticipation as the drums layer in, massive back end.
Compositeur(s) :
- Kevin Rix
A THING OF DREAD (no choir) | 3'39
- Distorted synth tones mix with a menacing bass pulse, a slow burning digital dance that builds in tension and anticipation as the drums layer in, massive back end.
Compositeur(s) :
- Kevin Rix
4 - RUSTED | 2'38
- Mysterious retro synth swirl over drifting drones and brass swells, slowly building in dangerous anticipation with signature brass blasts, choir, sliding tones and a massive orchestral build.
Compositeur(s) :
- Hannu Honkonen - Sergiu-Dan Muresan
RUSTED (no choir) | 2'38
- Mysterious retro synth swirl over drifting drones and brass swells, slowly building in dangerous anticipation with signature brass blasts, sliding tones and a massive orchestral build.
Compositeur(s) :
- Hannu Honkonen - Sergiu-Dan Muresan
5 - ENDING WARS | 2'55
- Minimal strings climb the scale while synths and sound design create an alien atmosphere; brass blasts with stomping drum clusters and a darkly heroic choir. The city is in danger.
Compositeur(s) :
- Cody Douglas Still
ENDING WARS (no choir) | 2'55
- Minimal strings climb the scale while synths and sound design create an alien atmosphere; brass blasts with stomping drum clusters. The city is in danger.
Compositeur(s) :
- Cody Douglas Still
6 - NOTHING TO PROVE TO YOU | 3'17
- Mysterious piano intro; building with layers of dark brass blasts and racing string arpeggios, swelling to a sweeping, tense but slow anti-heroic lush orchestral back end with choir.
Compositeur(s) :
- Mark John Petrie
NOTHING TO PROVE TO YOU (no choir) | 3'17
- Mysterious piano intro; building with layers of dark brass blasts and racing string arpeggios, swelling to a sweeping, tense but slow anti-heroic lush orchestral back end.
Compositeur(s) :
- Mark John Petrie
7 - FULL FORCE OF A STAR | 3'17
- Breathy vocalizations and strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with orchestra and choir.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
FULL FORCE OF A STAR (no choir) | 3'17
- Breathy vocalizations and strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with epic orchestra.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
FULL FORCE OF A STAR (no choir, no vocals) | 3'17
- Lush strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with epic orchestra.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
8 - IGNITION CELL | 2'34
- Rhythmic piano and low synth bends set a restless intro, as strings layer with an ethereal vocal to drive a sense of wonder, with soaring brass over orchestra, choir and pounding drums.
Compositeur(s) :
- Martyn Corbet
IGNITION CELL (no vocals) | 2'34
- Rhythmic piano and low synth bends set a restless intro, as strings drive a sense of wonder, with soaring brass over orchestra, choir and pounding drums.
Compositeur(s) :
- Martyn Corbet
9 - HIGHER, FURTHER, FASTER | 2'58
- Warm piano plays over minimal pads; as brass swells over strings, the bold, heroic nature of the cue comes forward, racing with synth arpeggios, full orchestra and choir to a massive back end.
Compositeur(s) :
- Cody Douglas Still
HIGHER, FURTHER, FASTER (no choir) | 2'58
- Warm piano plays over minimal pads; as brass swells over strings, the bold, heroic nature of the cue comes forward, racing with synth arpeggios and full orchestra to a massive back end.
Compositeur(s) :
- Cody Douglas Still
10 - WE CAN'T DO THIS WITHOUT YOU | 4'14
- Minimal piano intro plays an anticipatory motif as a ticking percussion layers in; strings swell as a synth pulse; guitars and percussion rise to a heroic full orchestral back end with choir.
Compositeur(s) :
- Harry Lightfoot
WE CAN'T DO THIS WITHOUT YOU (no choir) | 4'14
- Minimal piano intro plays an anticipatory motif as a ticking percussion layers in; strings swell as a synth pulse; guitars and percussion rise to a heroic full orchestral back end.
Compositeur(s) :
- Harry Lightfoot
11 - HUMANITY DEFINED | 2'40
- Warm piano intro with subtle synth pads swell up with strings and brass swells; as the orchestra bursts open with choir, celebratory percussion and a massive back end climax.
Compositeur(s) :
- Daniel Austin Olson
HUMANITY DEFINED (no choir) | 2'40
- Warm piano intro with subtle synth pads swell up with strings and brass swells; as the orchestra bursts open with celebratory percussion and a massive back end climax.
Compositeur(s) :
- Daniel Austin Olson
12 - TEACH ME | 3'16
- Introspective piano plays a gentle motif over a lush synth pad and distorted vocal swells; as tension evolves, strings and urgent drums push the serious brass, choir and full orchestral theme.
Compositeur(s) :
- Thomas Adam Habuda
TEACH ME (no choir) | 3'16
- Introspective piano plays a gentle motif over a lush synth pad and distorted vocal swells; as tension evolves, strings and urgent drums push the serious brass and full orchestral theme.
Compositeur(s) :
- Thomas Adam Habuda
13 - NO BETTER THAN THE BAD GUYS | 2'57
- Mysterious piano reverses layer with a ticking clock; piano motif and string ostinatos layer with synth arpeggios; massive pounding drums, choir and orchestra ascending to an epic climax.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
NO BETTER THAN THE BAD GUYS (no choir) | 2'57
- Mysterious piano reverses layer with a ticking clock; piano motif and string ostinatos layer with synth arpeggios; massive pounding drums and orchestra ascending to an epic climax.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
14 - ALWAYS ANGRY | 2'31
- Minimal synth pads with soft piano chords build slowly with a steady synth pulse and subtle percussion until a long rise swells up and massive, distorted synth drops bend over metallic.
Compositeur(s) :
- Greg Townley
15 - LEARNING THE TRUTH | 2'57
- Synth pads with chiming bells and low brass, swelling with strings and pulses, drum accents and serious brass; the back end turns to a heroic theme with full hybrid orchestra and bold choir.
Compositeur(s) :
- Cody Douglas Still
LEARNING THE TRUTH (no choir) | 2'57
- Synth pads with chiming bells and low brass, swelling with strings and pulses, drum accents and serious brass; the back end turns to a heroic theme with full hybrid orchestra.
Compositeur(s) :
- Cody Douglas Still
16 - LOOK TO THE SKY | 3'07
- Haunting female vocal over synth arpeggios, strings and soft booms; a piano break, the back end bursts open with pounding drums, a full orchestra, climbing brass, and a majestic choir.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
LOOK TO THE SKY (no choir) | 3'07
- Haunting female vocal over synth arpeggios, strings and soft booms; a piano break, the back end bursts open with pounding drums, a full orchestra and climbing brass.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
LOOK TO THE SKY (no choir, no vocals) | 3'07
- Synth arpeggios, strings and soft booms; a piano break, the back end bursts open with pounding drums, a full orchestra and climbing brass.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
17 - BREAK THE BARRIER | 2'58
- Dark synths bend over an synth pad, driving strings and brass set a serious sci-fi tone; as the tempo builds, drum clusters pound a dangerous beat, signaling a huge orchestral and choir climax.
Compositeur(s) :
- Hannu Honkonen
BREAK THE BARRIER (no choir) | 2'58
- Dark synths bend over an synth pad, driving strings and brass set a serious sci-fi tone; as the tempo builds, drum clusters pound a dangerous beat, signaling a huge orchestral climax.
Compositeur(s) :
- Hannu Honkonen
18 - SUBSERVIENT | 3'08
- Tense intro with low booms and low brass bends; dark strings building with massive drum clusters, evil brass . Massive back end, a huge choir and ominous brass, big stabs and a piano button.
Compositeur(s) :
- Ciaran Birch
SUBSERVIENT (no choir) | 3'08
- Tense intro with low booms and low brass bends; dark strings building with massive drum clusters, evil brass . Massive back end with ominous brass, big stabs and a piano button.
Compositeur(s) :
- Ciaran Birch
19 - STAND AND FIGHT | 2'46
- Tense synth pads with low percussion; warm piano chords layer in until the strings and synth pulses drive the adventure forward. Massive choir and orchestra blasts the back end climax.
Compositeur(s) :
- Martyn Corbet
STAND AND FIGHT (no choir) | 2'46
- Tense synth pads with low percussion; warm piano chords layer in until the strings and synth pulses drive the adventure forward. Massive orchestra blasts the back end climax.
Compositeur(s) :
- Martyn Corbet
20 - FOLDING TIME | 2'24
- Low brass bends over a rhythmic piano and ominous synth pads; quick synth ostinatos over lush strings and drums - a race against the clock with a huge orchestral and choir climax.
Compositeur(s) :
- Jack Trammell
FOLDING TIME (no choir) | 2'24
- Low brass bends over a rhythmic piano and ominous synth pads; quick synth ostinatos over lush strings and drums - a race against the clock with a huge orchestral climax.
Compositeur(s) :
- Jack Trammell
