logo

//Here and Now

17 titres//#audiomachine #humanity legends #story telling #drama #fantasy

LA PLAYLIST

// Here and Now


1 - THE GOODBYE | 3'14

  • A tense piano motif plays over a violin melody, layered with droning guitar and bells, with low end and drum accents. Full orchestra, paired with an electric guitar builds to a dramatic climax.

Compositeur(s) :

  • Kevin Rix

2 - THE DIVINE IN ALL OF US | 2'38

  • Warm piano motif with acoustic guitar and sweet wordless vocals drive forward with lilting strings; inspirational with male solo building with big drums and orchestra to a celebratory back end.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

THE DIVINE IN ALL OF US (no vocals) | 2'38

  • Warm piano motif with acoustic guitar drive forward with sweet, lilting strings; inspirational and tender, building with big drums and sweeping orchestra to a celebratory back end.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

3 - WOVEN RINGS | 3'05

  • A dreamlike synth intro with ticking pulses, piano motif and sparkling keyboard arpeggios swirl over a slowly beating percussive rhythm. Orchestral elements swell up to a majestic back end.

Compositeur(s) :

  • Sergiu Dan Muresan

4 - PUNITIVE MEASURES | 3'15

  • Distortion-soaked piano plays a dramatic motif as a gritty bassline pulses with a tremolo violin, building with drums and rhythmic synth pings. Epic back end rich with choir.

Compositeur(s) :

  • Kevin Rix

PUNITIVE MEASURES (no choir) | 3'18

  • Distortion-soaked piano plays a dramatic motif as a gritty bassline pulses with a tremolo violin, building with drums and rhythmic synth pings. Epic back end.

Compositeur(s) :

  • Kevin Rix

5 - A THING OF DREAD | 3'39

  • Distorted synth tones mix with a menacing bass pulse, a slow burning digital dance that builds in tension and anticipation as the drums layer in, massive back end.

Compositeur(s) :

  • Kevin Rix

A THING OF DREAD (no choir) | 3'39

  • Distorted synth tones mix with a menacing bass pulse, a slow burning digital dance that builds in tension and anticipation as the drums layer in, massive back end.

Compositeur(s) :

  • Kevin Rix

6 - DESIGNED TO SAVE THE WORLD | 3'33

  • Synth pulses weave with high digital tones; strings and pounding percussion propel the serious anticipation, as the hybrid orchestra swells in the back end builds with brass a dramatic climax.

Compositeur(s) :

  • Kevin Rix

7 - A HEALING TOUCH | 2'52

  • Otherworldly synths bend over a percussive pad, lifting with a vocal melody to set an encouraging tone. Sweeping synths, choir and drums, driving forward to a bright climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

A HEALING TOUCH (no choir) | 2'52

  • Otherworldly synths bend over a percussive pad, lifting with a vocal melody to set an encouraging tone. Sweeping synths and drums, driving forward to a bright climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

A HEALING TOUCH (no choir, no vocals) | 2'52

  • Otherworldly synths bend over a percussive pad to set an encouraging tone. Sweeping synths and drums, driving forward to a bright climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

8 - THE FOUNTAIN OF CONSCIOUSNESS | 2'29

  • Mysterious string arpeggios and piano set a quietly emotional tone. As the orchestra layers in, the brass steps forward, bringing a sense of melancholy awakening to the darkness.

Compositeur(s) :

  • Thomas Adam Habuda

THE FOUNTAIN OF CONSCIOUSNESS (no clocks) | 2'29

  • Mysterious string arpeggios and piano set a quietly emotional tone. As the orchestra layers in, the brass steps forward, bringing a sense of melancholy awakening to the darkness.

Compositeur(s) :

  • Thomas Adam Habuda

9 - OUR PLACE IN HISTORY | 2'24

  • A dreamy droning synth intro builds with light emotional wonder and brass swells, inspirational theme slowly unfolds, bursting open with orchestral waves, angelic choir and drums.

Compositeur(s) :

  • Martyn Corbet

OUR PLACE IN HISTORY (no choir) | 2'24

  • A dreamy droning synth intro builds with light emotional wonder and brass swells, inspirational theme slowly unfolds, bursting open with orchestral waves and drums.

Compositeur(s) :

  • Martyn Corbet

10 - LOUD MINDS | 3'10

  • An introspective piano plays a slightly melancholy middle, until the string arpeggios come in to lift our spirits, energetically driving the back end to a more triumphant orchestral climax.

Compositeur(s) :

  • Sergiu Dan Muresan

LOUD MINDS (no vocals) | 3'10

  • An introspective piano plays a slightly melancholy middle, until the string arpeggios come in to lift our spirits, energetically driving the back end to a more triumphant orchestral climax.

Compositeur(s) :

  • Sergiu Dan Muresan

11 - ESOTERIC | 3'00

  • A haunting female vocal dances over a synth pad, layering with strings, accented by drum clusters. As the brass layers in, full orchestra and choir bring the back end to a massive climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

ESOTERIC (no choir) | 3'00

  • A haunting female vocal dances over a synth pad, layering with strings, accented by drum clusters. As the brass layers in, full orchestra bring the back end to a massive climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

12 - BY THE TIME YOU READ THIS, I WILL BE GONE | 2'33

  • Distorted electric guitar and piano layer with sophisticated violins; as drums propel the gradually building cue, a bassline and post rock-inspired guitar emerges in a cathartic back end.

Compositeur(s) :

  • Kevin Rix

13 - WINDSWEPT | 2'36

  • A dreamy synth drone layers with plucked acoustic guitar arpeggios. Pulse layers in over percussion accents. The back end builds to an emotional climax with brass, pounding drums and strings.

Compositeur(s) :

  • Greg Townley

14 - ARTEMIS | 3'07

  • Ethereal synth swelling drones layer with a plucked harp and piano theme, building in wondrous warmth with lush string swells and twinkling chiming guitar tones.

Compositeur(s) :

  • Peter Mauder

15 - IN DENIAL | 2'52

  • Melancholy piano chords play over synth and key tones, layering with distorted vocals and swelling synths. The synths swell up with pounding drums, brass and a full orchestra and majestic choir.

Compositeur(s) :

  • Stuart Roslyn

IN DENIAL (no choir) | 2'52

  • Melancholy piano chords play over synth and key tones, layering with distorted vocals and swelling synths. The synths swell up with pounding drums, brass and a full orchestra.

Compositeur(s) :

  • Stuart Roslyn

IN DENIAL (no choir, no vocals) | 2'52

  • Melancholy piano chords play over synth and key tones, layering with swelling synths. The synths swell up with pounding drums, brass and a full orchestra.

Compositeur(s) :

  • Stuart Roslyn

16 - LEAVES OF AUTUMN | 2'09

  • A melancholic piano theme evolves with lush, sweeping strings and a dramatic low end, building with pounding drums and brass to a tragic climax

Compositeur(s) :

  • Danail Getz

17 - THE STORY ISN'T OVER | 3'25

  • Dark piano notes weave mysteriously with synth arpeggios, layering guitar with lush strings, electric guitar and drum kit. Bold brass, vocals carry a sweeping, powerful orchestral build.

Compositeur(s) :

  • Harry Lightfoot

THE STORY ISN'T OVER (no vocals) | 3'25

  • Dark piano notes weave mysteriously with synth arpeggios, layering guitar with lush strings, electric guitar and drum kit. Bold brass carry a sweeping, powerful orchestral build.

Compositeur(s) :

  • Harry Lightfoot