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//Retrograde

19 titres//L'enjeu émotionnel est à son comble alors que l'histoire se dévoile...#Audiomachine

LA PLAYLIST

// Retrograde


1 - A HERO IS BORN | 1'54

  • Ambient reversed piano loops over backwards pings, creating a mysterious rhythmic pulse; a dangerous bass propels, a clock and dramatic guitar as the cue builds to a dark climax.

Compositeur(s) :

  • Kevin Rix

2 - ADVANCE AT SUNRISE | 2'18

  • High synth arpeggio loops create a hypnotic rhythm, swelling with airy suck back textures and huge drum hits and clusters; as the pulsing beat drives forward to an epic climax.

Compositeur(s) :

  • Stuart Roslyn

3 - FUSE IS LIT | 2'04

  • A mysterious synth pad with reverse ticking tones and pulses builds the drama and intensity with massive drum hit clusters and ascending distorted guitar drone textures.

Compositeur(s) :

  • Kevin Rix

FUSE IS LIT (no percussion) | 1'52

  • A mysterious synth pad with reverse ticking tones and pulses builds the drama and intensity with ascending distorted organic guitar drones and layers of synth textures.

Compositeur(s) :

  • Kevin Rix

4 - CHARM THE SNAKE | 3'01

  • Evil, shrill synth swells layer with metallic textures. Mysterious dulcimer chimes alternate with chilling low end pulses and FX textures, building with a reversed rhythmic, tick-like pulse.

Compositeur(s) :

  • Steffan Michael Koch

5 - INCREASING BRUTALITY | 2'14

  • Reversed synth loops layer with multiple ticking layers; mesmerizing synths swell with massive squealing, glitchy stabs and pounding drum hits, building the futuristic to a intense climax.

Compositeur(s) :

  • Stuart Roslyn

6 - DISASTER AWAITS | 1'58

  • Looped reverse synth arpeggios punctuated by percussion accents and a dank synth bass pulse give way to a pulsing tick and synths before building back up with a distorted guitar melody.

Compositeur(s) :

  • Kevin Rix

7 - GET TO THE CHOPPER | 1'21

  • Helicopter blades tick an urgent pulse over ominous drones and a dangerous, reversed piano. As the tension ramps, drums pound, building to a massive swelling outro.

Compositeur(s) :

  • Danail Getz

8 - ROTARY ALARM | 2'25

  • Skittering FX textures dance across a tensely atmospheric drone, as layers of deep bass layer in, creating a mysterious and ominous intro. Old school rotary phone-style sound.

Compositeur(s) :

  • Steffan Michael Koch

9 - ALL SYSTEMS GO | 1'42

  • Gritty, reversed synth squalls stab through a industrial glitchscape as urgent strings layer in to create serious drama. Loaded with modern FX, stopdowns and a huge orchestral back end build.

Compositeur(s) :

  • Kevin Rix

10 - MECHATRONIC | 2'10

  • Atmospheric textures layer with a dangerous synth bass pulse, building with intensity as the shrill tones take over, the percussion pounds and slams, alarms sound.

Compositeur(s) :

  • Steffan Michael Koch

11 - THE VIEW FROM UP HERE | 2'27

  • Mysterious synth drones and a knocking rhythmic element layer with a dreamlike bass and drifting synth textural swells to create a hypnotic mood build with reversed piano pings.

Compositeur(s) :

  • Kevin Rix

THE VIEW FROM UP HERE (no fx) | 2'26

  • Mysterious synth drones and a knocking rhythmic element layer with a dreamlike bass and drifting synth textural swells to create a hypnotic mood build with reversed piano pings.

Compositeur(s) :

  • Kevin Rix

12 - A MALFUNCTION OF MECHANICS | 1'53

  • High pinging tones layer with an airy whoosh to create an icy intro; rhythmic synth pulses and metallic glitches build with creaking FX and pounding drums builds in apocalyptic intensity.

Compositeur(s) :

  • Sergiu Dan Muresan

13 - RECONFIGURED | 2'17

  • Mysterious reversed piano arpeggios, layered with percs accents as the tension ramps, a futuristic synth builds with driving drums over a serious bass pulse.

Compositeur(s) :

  • Steffan Michael Koch

14 - SOMETHING'S COMING | 2'24

  • Mesmerizing reversed synth pulses tick over a haunting melody with an ominous low end drone, building with pounding drum hits, brass, a massive rise, and urgent string arpeggios.

Compositeur(s) :

  • Danail Getz

SOMETHING'S COMING (no rise) | 2'24

  • Mesmerizing reversed synth pulses tick over a haunting melody with an ominous low end drone, building with pounding drum hits, brass and urgent string arpeggios.

Compositeur(s) :

  • Danail Getz

15 - KINETIC DISASSEMBLY | 2'02

  • High piano pings layer with a futuristic reversed synth textural pulse with bass and percussion hits; as the cue builds, sucked back choir stabs and alternating drum clusters and reverses.

Compositeur(s) :

  • Martyn Corbet

KINETIC DISASSEMBLY (no choir) | 2'02

  • High piano pings layer with a futuristic reversed synth textural pulse with bass and percussion hits; as the cue builds with alternating drum clusters and reverses.

Compositeur(s) :

  • Martyn Corbet

16 - REGENERATION | 2'16

  • Ambient piano reverses loop with textures, dissonant tones and FX to create a tense intro; mysterious elements layer behind percussion accents intensifies to create a tragic build.

Compositeur(s) :

  • Sergiu Dan Muresan

REGENERATION (no vocals) | 2'16

  • Ambient piano reverses loop with textures, dissonant tones and FX to create a tense intro; mysterious elements layer behind percussion accents intensifies to create a tragic build.

Compositeur(s) :

  • Sergiu Dan Muresan

17 - BEFORE THE WAR | 2'26

  • Reversed swells layer with tense loops and organic bass tones; as elements blend, a modern rhythm comes together with a pulsing tone, building with synths, drums and dangerous bass.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

18 - VICTORY AT SUNSET | 2'32

  • Reversed, childlike piano creates a warm intro, but beneath it, darkness, as subtle dissonance breaks peace. Low synth bass loops, climbing to an inspirational place.

Compositeur(s) :

  • Steffan Michael Koch

19 - FLIP THE SWITCH | 2'00

  • Aggressive synth squalls alternate with piercing tones; low bass rhythms trade with reversed flybys, scratching textures and slamming percussion stabs, building with dangerous intensity.

Compositeur(s) :

  • Kevin Rix