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//Intros 2

132 titres//Une vaste sélection de titres de tous genres pour démarrer vos séquences!

LA PLAYLIST

// Intros 2


1 - BIG BUSINESS | 2'42

  • Stomping swagger, bluesy guitar, driving bass line, and singalong style - making we're all clapping hands and expecting some fun and excitement.

Compositeur(s) :

  • Harry Lightfoot

BIG BUSINESS (no vocals) | 2'42

  • Stomping swagger, bluesy guitar and driving bass line - making we're all clapping hands and expecting some fun and excitement.

Compositeur(s) :

  • Harry Lightfoot

2 - WITHDRAWN | 2'03

  • Piercing synth tones create a creepy, cold atmosphere with whoosh hits and sliding tones; piano notes with vocal-like swells create a disturbing, unsettling kind of calm.

Compositeur(s) :

  • Paul Dinletir

3 - TO WHATEVER END | 2'22

  • Calm, peaceful and positive piano layers over a lush synth pad, swelling with a somber yet heroic brass theme with choir and orchestra.

Compositeur(s) :

  • Danail Getz

TO WHATEVER END (no choir) | 2'22

  • Calm, peaceful and positive piano layers over a lush synth pad, swelling with a somber yet heroic brass theme with lush orchestra.

Compositeur(s) :

  • Danail Getz

4 - SILVER LINING | 2'00

  • Emotional piano and soft percussion with raw cello slides; lush strings layer in as the heart beat pulses, driving upwards with tender, uplifting chords, swelling to a positive climax.

Compositeur(s) :

  • Sergiu-Dan Muresan

5 - RATTLE THE STARS | 2'48

  • Tense, retro-futuristic synth arpeggios drive this intro, which swells with an airy rise to a sweeping, digital climax.

Compositeur(s) :

  • Daniel Lozinski

6 - BIGGER INFINITIES | 2'53

  • Minimal piano scape with light droning synth pads and chiming tones; atmospheric, yet emotional and warm.

Compositeur(s) :

  • James Venable

7 - HEIGHTENED SENSES | 1'31

  • A tense organ drone slowly builds, gathering glitchy textures, airy swipes, string-based tones and a long rise.

Compositeur(s) :

  • Daniel Lozinski

8 - THE RINGS OF SATURN | 2'23

  • Bright, chiming pads swirl while a determined synth layers with a serene female vocal, important percussion clusters and uplifting brass for a sweeping, triumphant, futuristic back end.

Compositeur(s) :

  • Stuart Roslyn

THE RINGS OF SATURN (no vocals) | 2'23

  • Bright, chiming pads swirl while a determined synth layers with important percussion clusters and uplifting brass for a sweeping, triumphant, futuristic back end.

Compositeur(s) :

  • Stuart Roslyn

9 - EVERY INCH OF YOU | 1'13

  • A mysterious piano plays lightly over airy breaths and an ominous synth pad, light strings layer in, building tension and anticipation, rising up to a sharp, but restrained climax.

Compositeur(s) :

  • Darius Moldovan

10 - PERSEPHONE | 1'36

  • An unsettling, bouncing synth bass tone and light notes mingle with an elegant female vocalization; subtle percussion lends an epic scope with lush swells and highlights.

Compositeur(s) :

  • Sergiu-Dan Muresan

PERSEPHONE (no vocals) | 1'36

  • An unsettling, bouncing synth bass tone and light notes mingle with an elegant pulse; subtle percussion lends an epic scope with lush swells and highlights.

Compositeur(s) :

  • Sergiu-Dan Muresan

11 - THE SPACE BETWEEN | 2'21

  • Quiet, pastoral introspection with a mix of warm, acoustic guitars and light piano, building with hand percussion and subtly chiming notes.

Compositeur(s) :

  • Greg Townley

12 - TIME ALONE | 1'33

  • Somber piano chords and rhythmic, as acoustic guitar layers in with mellow hums to move the emotional story forward, the orchestra swells to a restrained, but sweeping build.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

TIME ALONE (no vocals) | 1'38

  • Somber piano chords and rhythmic, as acoustic guitar layers in with mellow hums to move the emotional story forward, the orchestra swells to a restrained, but sweeping build.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

13 - TOGETHER APART | 1'44

  • High string pads create shrill tension until a folksy hum and warm acoustic guitar comes in over low drones and mysterious swells, building in tension and anticipation.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

TOGETHER APART (no vocals) | 1'44

  • High string pads create shrill tension until a folksy, warm acoustic guitar comes in over low drones and mysterious swells, building in tension and anticipation.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

14 - VENERATION | 2'11

  • Warm guitar plays over a light pad, subtle booms and steady piano chords swell with a pulsing bass and ticking FX, building suspense, gradually developing with sliding synth buzzing.

Compositeur(s) :

  • Greg Townley

15 - ROAD TO RETURN | 1'35

  • Acoustic guitar plucks a simple rhythm while piano chords build a heroic theme; lush strings layer in, building with powerful drums, subtle choir and bold brass for a heroic climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

ROAD TO RETURN (no vocals) | 1'35

  • Acoustic guitar plucks a simple rhythm while piano chords build a heroic theme; lush strings layer in, building with powerful drums and bold brass for a heroic climax.

Compositeur(s) :

  • Matt Foundling - Stuart Roslyn

16 - AT LONG LAST | 1'51

  • Soft, plucked acoustic guitar sets a contemplative tone, building a mysterious, but folky theme which drives steadily towards a dramatic swell.

Compositeur(s) :

  • Greg Townley

17 - CAPTAIN OF INDUSTRY | 1'23

  • Raw, determined cello and a steady drum beat signal an important, intelligent political high crime and misdemeanor has occurred; as lush strings and brass layer in, the stakes are raised.

Compositeur(s) :

  • Martyn Corbet

18 - DUPLICITOUS | 1'12

  • A ticking piano and time-sensitive, plucked string motif sets the stage for a driving, urgent and emotional violin solo as the neoclassical period drama swells to a tense climax.

Compositeur(s) :

  • Richard Canavan

19 - LOCKED IN THE DARK | 1'50

  • Piano and strings lead off this serious and emotional intro, swelling gradually with insistent cellos and powerful brass.

Compositeur(s) :

  • Danail Getz

20 - IN A PREDICAMENT | 1'14

  • A dangerous piano motif plays over dark, ominous droning synths, while the drums pound out a marching beat, ticking towards a rising build.

Compositeur(s) :

  • Harry Lightfoot