
//Intros 2
132 titres//#Audiomachine L'album indispensable pour démarrer vos séquences !
LA PLAYLIST
// Intros 2
1 - BIG BUSINESS | 2'42
- Stomping swagger, bluesy guitar, driving bass line, and singalong style - making we're all clapping hands and expecting some fun and excitement.
Compositeur(s) :
- Harry Lightfoot
BIG BUSINESS (no vocals) | 2'42
- Stomping swagger, bluesy guitar and driving bass line - making we're all clapping hands and expecting some fun and excitement.
Compositeur(s) :
- Harry Lightfoot
2 - WITHDRAWN | 2'03
- Piercing synth tones create a creepy, cold atmosphere with whoosh hits and sliding tones; piano notes with vocal-like swells create a disturbing, unsettling kind of calm.
Compositeur(s) :
- Paul Dinletir
3 - TO WHATEVER END | 2'22
- Calm, peaceful and positive piano layers over a lush synth pad, swelling with a somber yet heroic brass theme with choir and orchestra.
Compositeur(s) :
- Danail Getz
TO WHATEVER END (no choir) | 2'22
- Calm, peaceful and positive piano layers over a lush synth pad, swelling with a somber yet heroic brass theme with lush orchestra.
Compositeur(s) :
- Danail Getz
4 - SILVER LINING | 2'00
- Emotional piano and soft percussion with raw cello slides; lush strings layer in as the heart beat pulses, driving upwards with tender, uplifting chords, swelling to a positive climax.
Compositeur(s) :
- Sergiu-Dan Muresan
5 - RATTLE THE STARS | 2'48
- Tense, retro-futuristic synth arpeggios drive this intro, which swells with an airy rise to a sweeping, digital climax.
Compositeur(s) :
- Daniel Lozinski
6 - BIGGER INFINITIES | 2'53
- Minimal piano scape with light droning synth pads and chiming tones; atmospheric, yet emotional and warm.
Compositeur(s) :
- James Venable
7 - HEIGHTENED SENSES | 1'31
- A tense organ drone slowly builds, gathering glitchy textures, airy swipes, string-based tones and a long rise.
Compositeur(s) :
- Daniel Lozinski
8 - THE RINGS OF SATURN | 2'23
- Bright, chiming pads swirl while a determined synth layers with a serene female vocal, important percussion clusters and uplifting brass for a sweeping, triumphant, futuristic back end.
Compositeur(s) :
- Stuart Roslyn
THE RINGS OF SATURN (no vocals) | 2'23
- Bright, chiming pads swirl while a determined synth layers with important percussion clusters and uplifting brass for a sweeping, triumphant, futuristic back end.
Compositeur(s) :
- Stuart Roslyn
9 - EVERY INCH OF YOU | 1'13
- A mysterious piano plays lightly over airy breaths and an ominous synth pad, light strings layer in, building tension and anticipation, rising up to a sharp, but restrained climax.
Compositeur(s) :
- Darius Moldovan
10 - PERSEPHONE | 1'36
- An unsettling, bouncing synth bass tone and light notes mingle with an elegant female vocalization; subtle percussion lends an epic scope with lush swells and highlights.
Compositeur(s) :
- Sergiu-Dan Muresan
PERSEPHONE (no vocals) | 1'36
- An unsettling, bouncing synth bass tone and light notes mingle with an elegant pulse; subtle percussion lends an epic scope with lush swells and highlights.
Compositeur(s) :
- Sergiu-Dan Muresan
11 - THE SPACE BETWEEN | 2'21
- Quiet, pastoral introspection with a mix of warm, acoustic guitars and light piano, building with hand percussion and subtly chiming notes.
Compositeur(s) :
- Greg Townley
12 - TIME ALONE | 1'33
- Somber piano chords and rhythmic, as acoustic guitar layers in with mellow hums to move the emotional story forward, the orchestra swells to a restrained, but sweeping build.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
TIME ALONE (no vocals) | 1'38
- Somber piano chords and rhythmic, as acoustic guitar layers in with mellow hums to move the emotional story forward, the orchestra swells to a restrained, but sweeping build.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
13 - TOGETHER APART | 1'44
- High string pads create shrill tension until a folksy hum and warm acoustic guitar comes in over low drones and mysterious swells, building in tension and anticipation.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
TOGETHER APART (no vocals) | 1'44
- High string pads create shrill tension until a folksy, warm acoustic guitar comes in over low drones and mysterious swells, building in tension and anticipation.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
14 - VENERATION | 2'11
- Warm guitar plays over a light pad, subtle booms and steady piano chords swell with a pulsing bass and ticking FX, building suspense, gradually developing with sliding synth buzzing.
Compositeur(s) :
- Greg Townley
15 - ROAD TO RETURN | 1'35
- Acoustic guitar plucks a simple rhythm while piano chords build a heroic theme; lush strings layer in, building with powerful drums, subtle choir and bold brass for a heroic climax.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
ROAD TO RETURN (no vocals) | 1'35
- Acoustic guitar plucks a simple rhythm while piano chords build a heroic theme; lush strings layer in, building with powerful drums and bold brass for a heroic climax.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
16 - AT LONG LAST | 1'51
- Soft, plucked acoustic guitar sets a contemplative tone, building a mysterious, but folky theme which drives steadily towards a dramatic swell.
Compositeur(s) :
- Greg Townley
17 - CAPTAIN OF INDUSTRY | 1'23
- Raw, determined cello and a steady drum beat signal an important, intelligent political high crime and misdemeanor has occurred; as lush strings and brass layer in, the stakes are raised.
Compositeur(s) :
- Martyn Corbet
18 - DUPLICITOUS | 1'12
- A ticking piano and time-sensitive, plucked string motif sets the stage for a driving, urgent and emotional violin solo as the neoclassical period drama swells to a tense climax.
Compositeur(s) :
- Richard Canavan
19 - LOCKED IN THE DARK | 1'50
- Piano and strings lead off this serious and emotional intro, swelling gradually with insistent cellos and powerful brass.
Compositeur(s) :
- Danail Getz
20 - IN A PREDICAMENT | 1'14
- A dangerous piano motif plays over dark, ominous droning synths, while the drums pound out a marching beat, ticking towards a rising build.
Compositeur(s) :
- Harry Lightfoot