//RESULTAT
1854 titres trouvés
KAPTAIN A TROUVE
1854 titres
1 - BIG CITY DREAMS | 2'27
- Sport/mode. Urbain & introspectif. Guitares électriques aériennes et nappes de synthés envoutantes sur un beat Electro Pop déterminé. Fx voix.
Compositeur(s) :
- Benjamin Salem - Tiery-F
BIG CITY DREAMS (no beat) | 2'27
- Paysage/nature. Interrogatif & introspectif. Guitares électriques aériennes et nappes de synthés envoutantes. Fx voix.
Compositeur(s) :
- Benjamin Salem - Tiery-F
BIG CITY DREAMS (underscore) | 2'33
- Sport/mode. Urbain & introspectif. Guitares électriques aériennes et nappes de synthés envoutantes sur un beat Electro Pop déterminé. Fx voix.
Compositeur(s) :
- Benjamin Salem - Tiery-F
BIG CITY DREAMS (slow vs) | 4'06
- Paysage/nature. Interrogatif & introspectif. Guitares électriques aériennes et nappes de synthés envoutantes.
Compositeur(s) :
- Benjamin Salem - Tiery-F
BIG CITY DREAMS (30s) | 0'30
- Sport/mode. Urbain & introspectif. Guitares électriques aériennes et nappes de synthés envoutantes sur un beat Electro Pop déterminé. Fx voix.
Compositeur(s) :
- Benjamin Salem - Tiery-F
BIG CITY DREAMS (30s slow vs) | 0'30
- Paysage/nature. Interrogatif & introspectif. Guitares électriques aériennes et nappes de synthés envoutantes.
Compositeur(s) :
- Benjamin Salem - Tiery-F
2 - TROUBLED TIMES | 1'32
- Orchestral cinématique et dramatique. Errant & interrogatif. Orchestre à cordes émouvant, vibraphone entêtant et piano en suspens sur des nappes de synthés envoutantes et des percs filtrées.
Compositeur(s) :
- Yannis Dumoutiers - Christian Lieu - Eric Uzan - Olivier Villaudy
TROUBLED TIMES (light vs) | 1'32
- Orchestral cinématique et dramatique. Errant & interrogatif. Orchestre à cordes émouvant, vibraphone entêtant et piano en suspens sur des synthés envoutants et des percs filtrées.
Compositeur(s) :
- Yannis Dumoutiers - Christian Lieu - Eric Uzan - Olivier Villaudy
TROUBLED TIMES (30s) | 0'30
- Orchestral cinématique et dramatique. Errant & interrogatif. Orchestre à cordes émouvant, vibraphone entêtant et piano en suspens sur des synthés envoutants et des percs filtrées.
Compositeur(s) :
- Yannis Dumoutiers - Christian Lieu - Eric Uzan - Olivier Villaudy
3 - TOMORROW NEVER COMES | 1'28
- Orchestral cinématique et dramatique. Poignant & introspectif. Orchestre à cordes émouvant et mélodie de piano touchante se développant sur une rythmique filtrée.
Compositeur(s) :
- Yannis Dumoutiers - Christian Lieu - Eric Uzan - Olivier Villaudy
TOMORROW NEVER COMES (no beat) | 1'28
- Orchestral cinématique et dramatique. Poignant & introspectif. Orchestre à cordes émouvant se développant avec une mélodie de piano touchante.
Compositeur(s) :
- Yannis Dumoutiers - Christian Lieu - Eric Uzan - Olivier Villaudy
TOMORROW NEVER COMES (30s) | 0'30
- Orchestral cinématique et dramatique. Poignant & introspectif. Orchestre à cordes émouvant et mélodie de piano touchante sur une rythmique filtrée.
Compositeur(s) :
- Yannis Dumoutiers - Christian Lieu - Eric Uzan - Olivier Villaudy
4 - 48 PRAY STREET | 1'29
- A steady, neutral string drone suggests wonder while a slightly distorted high synth chimes out a positive melody, swelling towards a new day of beauty and inspiration.
Compositeur(s) :
- Steffan Michael Koch
5 - IT'S A WONDERFUL LIFE | 1'49
- The sun comes up on a peaceful suburban town and a happy family. Light piano motif and lovely strings layer with chiming acoustic guitar and bells for a feel-good, positive theme.
Compositeur(s) :
- Harry Lightfoot
IT'S A WONDERFUL LIFE (no choir) | 1'49
- The sun comes up on a peaceful suburban town and a happy family. Light piano motif and lovely strings layer with chiming acoustic guitar and bells for a feel-good, positive theme.
Compositeur(s) :
- Harry Lightfoot
6 - WHEN YOU MOVE | 2'16
- Acoustic guitar layers with sweet piano and strings for a tender intro, builds with a steady bass line and percussion as the strings progress and anticipation grows for a happy future.
Compositeur(s) :
- Steffan Michael Koch
7 - TAKE A CHANCE | 1'48
- Light piano and emotional string swells create a warm atmosphere; sweetness prevails as the cue builds with positive ad-friendly, modern piano, drums and a happy orchestral swell.
Compositeur(s) :
- Richard Canavan
8 - RAINBOW FLYER | 2'12
- Warmly playful acoustic guitar and plucked strings dance with a sweet woodwind theme with layers of magical bells and lush, emotional strings; sweeping family friendly build.
Compositeur(s) :
- Thomas-Adam Habuda
RAINBOW FLYER (no solo violin) | 2'12
- Warmly playful acoustic guitar and plucked strings dance with a sweet woodwind theme with layers of magical bells and lush, emotional strings; sweeping family friendly build.
Compositeur(s) :
- Thomas-Adam Habuda
9 - OVER MOUNTAINS AND ACROSS SEAS | 2'33
- Bright chiming tones hold a promise of the future, as the orchestra drives with light guitars and subtle percussion, it soars to a glorious, triumphant climax.
Compositeur(s) :
- Daniel Lozinski
10 - GOOD FOR THE SOUL | 1'30
- A minimal, high piano pings over a light droning pad, developing movement as the light dawns and the wondrous positivity builds with a repeating note and a heartbeat pulse.
Compositeur(s) :
- Steffan Michael Koch
11 - FIREHEART | 1'51
- Cinematic piano and epic percussion accents build a sparse, but rhythmic, regal intro, steadily building with bigger drums, powerful synth swells, driving strings and triumphant brass.
Compositeur(s) :
- Sergiu-Dan Muresan
12 - EMPYREAN | 1'55
- Raw, textured droning with chiming guitar tones and light pads create a tranquil, yet inspirational atmosphere, as lush strings layer in with subtle twinkling bells.
Compositeur(s) :
- Kevin Rix
13 - HYDROGEN SEA | 1'40
- Light, pulsing synths swell rhythmically beneath light, wondrous piano pings and futuristic arpeggios, building gradually to a magnificent, inspirational climax.
Compositeur(s) :
- Stuart Roslyn
14 - QUEEN OF THE FAE | 2'05
- A delicate drone with a emotional piano motif sets a dramatic, sophisticated tone, as lush strings layer in, swelling with emotion and driving with subtle percussion to a magical back end.
Compositeur(s) :
- Michael Emmerson
15 - BLUEBELL FOREST | 1'25
- Mysterious piano and ethereal humming set a tensely magical tone with chiming bell synths; resolving into a warmer, more wondrous orchestral build with sweeping strings and brass.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
BLUEBELL FOREST (no vocals) | 1'25
- Mysterious piano and ethereal string pads set a tensely magical tone with chiming bell synths; resolving into a warmer, more wondrous orchestral build with sweeping strings and brass.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
16 - THE POLLYWOG | 1'28
- Eerie, haunting high pitched tones layer over cavernous drones and booms with tense, static FX textures and a subtly mysterious keyboard theme.
Compositeur(s) :
- Sergiu-Dan Muresan
17 - THE SILENT DREAMERS | 1'45
- Light piano chords play a sparse, but mysterious theme; ticking percussion, acoustic guitar and a sliding synth bass line lead to a lush orchestral swell.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
18 - THE LINES MUST NOT BREAK | 1'19
- Dark drones with subtle FX mix with dramatic strings, building with serious importance to a restrained swell.
Compositeur(s) :
- Kevin Rix
19 - DROID DREAMS | 2'02
- A light, introspective piano chord motif sets a lightly wondrous tone, with pulsing synth swells and lush strings building towards a mysterious, but incredible back end.
Compositeur(s) :
- Steffan Michael Koch
20 - GREY AREA | 2'33
- A coldly emotional synth motif sets an icy, futuristic scene, building with dramatic layers of tubular bells, keyboard tones and low textures.
Compositeur(s) :
- Kevin Rix
