//RESULTAT
3335 titres trouvés
KAPTAIN A TROUVE
3335 titres
1 - SUFFOCATION | 1'35
- Investigation/espionnage. Drama & désolé. Nappes et séquences de synthés étranges se développant progressivement sur un final angoissant avec des percs électro. Fx cœur.
Compositeur(s) :
- Andrew Pearce
SUFFOCATION (light vs) | 1'35
- Investigation/espionnage. Drama & désolé. Nappes et séquences de synthés étranges se développant progressivement sur un final angoissant avec des percs électro. Fx cœur.
Compositeur(s) :
- Andrew Pearce
SUFFOCATION (30s) | 0'30
- Investigation/espionnage. Drama & désolé. Nappes et séquences de synthés étranges se développant sur un final angoissant avec des percs électro. Fx cœur.
Compositeur(s) :
- Andrew Pearce
2 - INTO THE MIST | 2'05
- Orchestral cinématique et dramatique. Inquiétant & tourmenté. Piano cyclique et nappes de synthés mystérieuses avec un orchestre symphonique en suspens.
Compositeur(s) :
- Yannis Dumoutiers
3 - ANXIETY DISORDERS | 1'12
- Enquête/investigation. Drone. Tendu & inquiétant. Nappes et séquences de synthés se développant crescendo avec des nappes de guitares électriques distortion.
Compositeur(s) :
- Yannis Dumoutiers
4 - FEEL THE TENSION | 1'37
- Orchestral cinématique et dramatique. Tendu & inquiétant. Orchestre symphonique et nappes de synthés se développant progressivement sur un ensemble de percs électroniques.
Compositeur(s) :
- Christophe Lebled
FEEL THE TENSION (light vs) | 1'37
- Orchestral cinématique et dramatique. Tendu & inquiétant. Nappes de synthés envoutantes et percs électroniques avec des interventions déterminées d'un orchestre à cordes.
Compositeur(s) :
- Christophe Lebled
FEEL THE TENSION (underscore) | 1'37
- Orchestral cinématique et dramatique. Tendu & inquiétant. Nappes de synthés envoutantes et percs électroniques avec des interventions déterminées d'un orchestre symphonique.
Compositeur(s) :
- Christophe Lebled
FEEL THE TENSION (ambient) | 1'36
- Orchestral cinématique et dramatique. Tendu & inquiétant. Orchestre symphonique et nappes de synthés se développant progressivement.
Compositeur(s) :
- Christophe Lebled
FEEL THE TENSION (30s) | 0'30
- Orchestral cinématique et dramatique. Tendu & inquiétant. Orchestre symphonique et nappes de synthés se développant progressivement sur un ensemble de percs électroniques.
Compositeur(s) :
- Christophe Lebled
5 - NEVER GIVE UP | 1'54
- Orchestral cinématique et dramatique. Tendu & tourmenté. Séquences de synthés entêtantes et guitares se développant avec un orchestre puissant et un ensemble déterminé de percs.
Compositeur(s) :
- Christophe Arrachart - Clement Debethune - Ludovic Dhermy - Emmanuelle Ruiz
NEVER GIVE UP (no perc) | 1'54
- Orchestral cinématique et dramatique. Tendu & tourmenté. Séquences de synthés entêtantes et guitares se développant avec un orchestre puissant.
Compositeur(s) :
- Christophe Arrachart - Clement Debethune - Ludovic Dhermy - Emmanuelle Ruiz
NEVER GIVE UP (30s) | 0'30
- Orchestral cinématique et dramatique. Tendu & tourmenté. Séquences de synthés entêtantes et guitares avec un orchestre puissant et un ensemble déterminé de percs.
Compositeur(s) :
- Christophe Arrachart - Clement Debethune - Ludovic Dhermy - Emmanuelle Ruiz
6 - COMING TO END IT ALL | 2'13
- A mysterious intro swell leads to a soft, peaceful acoustic guitar and warm piano motif. A driving synth pulse, pounding drums and a dramatic, yet exciting piano layer with a lush orchestra.
Compositeur(s) :
- Greg Townley
7 - ALWAYS ANGRY | 2'31
- Minimal synth pads with soft piano chords build slowly with a steady synth pulse and subtle percussion until a long rise swells up and massive, distorted synth drops bend over metallic.
Compositeur(s) :
- Greg Townley
8 - NO BETTER THAN THE BAD GUYS | 2'57
- Mysterious piano reverses layer with a ticking clock; piano motif and string ostinatos layer with synth arpeggios; massive pounding drums, choir and orchestra ascending to an epic climax.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
NO BETTER THAN THE BAD GUYS (no choir) | 2'57
- Mysterious piano reverses layer with a ticking clock; piano motif and string ostinatos layer with synth arpeggios; massive pounding drums and orchestra ascending to an epic climax.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
9 - FULL FORCE OF A STAR | 3'17
- Breathy vocalizations and strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with orchestra and choir.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
FULL FORCE OF A STAR (no choir) | 3'17
- Breathy vocalizations and strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with epic orchestra.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
FULL FORCE OF A STAR (no choir, no vocals) | 3'17
- Lush strings set a calm tone; as the piano and brass swells help the slow build progress, drums and synth arpeggios drive the back end with epic orchestra.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
10 - FLIP THE SWITCH | 2'00
- Aggressive synth squalls alternate with piercing tones; low bass rhythms trade with reversed flybys, scratching textures and slamming percussion stabs, building with dangerous intensity.
Compositeur(s) :
- Kevin Rix
11 - ALL SYSTEMS GO | 1'42
- Gritty, reversed synth squalls stab through a industrial glitchscape as urgent strings layer in to create serious drama. Loaded with modern FX, stopdowns and a huge orchestral back end build.
Compositeur(s) :
- Kevin Rix
12 - BEFORE THE WAR | 2'26
- Reversed swells layer with tense loops and organic bass tones; as elements blend, a modern rhythm comes together with a pulsing tone, building with synths, drums and dangerous bass.
Compositeur(s) :
- Matt Foundling - Stuart Roslyn
13 - GET TO THE CHOPPER | 1'21
- Helicopter blades tick an urgent pulse over ominous drones and a dangerous, reversed piano. As the tension ramps, drums pound, building to a massive swelling outro.
Compositeur(s) :
- Danail Getz
14 - DISASTER AWAITS | 1'58
- Looped reverse synth arpeggios punctuated by percussion accents and a dank synth bass pulse give way to a pulsing tick and synths before building back up with a distorted guitar melody.
Compositeur(s) :
- Kevin Rix
15 - FUSE IS LIT | 2'04
- A mysterious synth pad with reverse ticking tones and pulses builds the drama and intensity with massive drum hit clusters and ascending distorted guitar drone textures.
Compositeur(s) :
- Kevin Rix
FUSE IS LIT (no percussion) | 1'52
- A mysterious synth pad with reverse ticking tones and pulses builds the drama and intensity with ascending distorted organic guitar drones and layers of synth textures.
Compositeur(s) :
- Kevin Rix
16 - KINETIC DISASSEMBLY | 2'02
- High piano pings layer with a futuristic reversed synth textural pulse with bass and percussion hits; as the cue builds, sucked back choir stabs and alternating drum clusters and reverses.
Compositeur(s) :
- Martyn Corbet
KINETIC DISASSEMBLY (no choir) | 2'02
- High piano pings layer with a futuristic reversed synth textural pulse with bass and percussion hits; as the cue builds with alternating drum clusters and reverses.
Compositeur(s) :
- Martyn Corbet
17 - A HERO IS BORN | 1'54
- Ambient reversed piano loops over backwards pings, creating a mysterious rhythmic pulse; a dangerous bass propels, a clock and dramatic guitar as the cue builds to a dark climax.
Compositeur(s) :
- Kevin Rix
18 - MALEVOLENCE | 2'25
- Dissonant string swells with drops and sliding tones fall to a cavernous hell as brass braams and aggressive synth squeal with violins until a driving cello rhythm with drums, brass.
Compositeur(s) :
- Kevin Rix
19 - DISTURBIA | 2'40
- Brass tones and shrill strings slide across a minimal atmosphere; rhythmic string bass; accelerating pattern that builds a frenzied panic and scratching, static FX.
Compositeur(s) :
- Steffan Michael Koch
20 - CHARON'S OBOL | 2'56
- Distorted foghorn blasts over pads interrupted by string and percussion. Raw strings, doors slam and a light choir. Sliding cellos building with synth bursts, ostinatos and an evil choir.
Compositeur(s) :
- Kevin Rix
CHARON'S OBOL (no choir) | 2'56
- Distorted foghorn blasts over pads interrupted by string and percussion. Raw strings, doors slam and a light choir. Sliding cellos building with synth bursts, ostinatos to a vicious end.
Compositeur(s) :
- Kevin Rix
